A delightful production. By turns a gluttonous multimedia extravaganza and tantalizingly fictional tale based on Motown, Diana Ross and the Supremes. Phenomenal performances even from the third tier!
Tag Archives: review
How To Train Your Dragon (In 2D)
Laura and I elected to not pay a surcharge for fancy 3D.
Directed by Chris Sanders and Dean DeBlois?!?!?! That’s what you get, Disney! Well, then again Disney couldn’t make a movie like this one, but my point is somehow still valid! Not really, I’m just stubborn. Anyways – as I understand it, Chris and Dean were key players at Disney’s Florida animation studio (located inside Disney’s MGM Studios before the name change and before they shut it down) and were partially responsible for Mulan (1998) and almost wholly responsible for Lilo and Stitch (2002), which are two of my favorite post-Frank Wells animated feature films (Chris was also prominantly featured along with other crew members of Mulan in Drawn to Animation at Disney’s California Adventure until it was replaced with The Animation Academy). To the best of my understanding, Chris Sanders left or was fired after which Disney turned Chris Sanders’ American Dog (a quirky road comedy) into Bolt (2008).
This film is delightful, quirky and a wonderfully poignant father-saddled-with-oddball-son-who-ends-up-proving-his-father-wrong tale.
There was a delightful “Whole New World” sequence in the film (without waxing musical) when Toothless takes Hiccough and Astrid for a fly (soaring, tumbling, free-wheeling!).
The music was wonderful! It is interesting to note that there were a lot of Scottish influences, being that they’re vikings, but Craig Ferguson is in there too, so it all balances out.
Credit Game Final Score: Jeremy 4, Laura 3
There was also a preview for Shrek 4 which looks to me (having not seen Shrek the Third) to be better than Shrek the Third, mostly because Rumpelstilskin makes a WONDERFUL villain. Although the plot outlined in the trailer reminded me A LOT of Santa Claus 3 which reminded me A LOT of It’s A Wonderful Life. Tale as old as time….
Anything Goes – Laguna Beach High School
A delightful production of Cole Porter’s musical stone soup (nearly every song in the 1986 version that everyone does is from a different Cole Porter musical; the original Anything Goes is called the Beaumont version and is very rarely done), the kids of Laguna Beach High School do a fantastic job with a high school arts budget (even if it is a south Orange County high school arts budget).
Laura grew up learning a lot about boats and apparently the running lights were backwards – the green light is supposed to indicate the starboard (right) side of the ship and the red light is supposed to indicate the port (left) side of the ship. Of course this really doesn’t affect the caliber of the production, but it’s a great conversation piece!
Alice In Wonderland – Del Amo AMC 18, Torrance, CA
A delightfully vivid and imaginative “sequel” to Lewis Carroll’s Alice In Wonderland as only Tim Burton could imagine it.
Avatar 3-D
An absolutely phenomenal movie. A breath-taking, story so epic that it’s been told many times before – but never this well. It’s the epic-sized version of Up! The obvious story comparisons are Pocahontas (colors of the wind and savages) and Dances With Wolves (haven’t seen it, I’ve just read the Wikipedia summation), but the futuristic angle does a lot more by showing history repeating itself and demonstrating the evils of man. Made me think of Watchmen with it’s hunt for a new energy source. But it’s really about not letting anything stand in the way – doesn’t matter if it’s sentient, just cast it as a backwards savage and middle-class America will swallow it like syrup (presuming America took over the Earth and that’s went on from there – we’re here in the name of Earth, not in the name of America).
Yay Stephen Lang! I’ve loved him since he told Martin Sheen that he has no division (General Pickett in Ron Maxwell’s equally epic Gettysburg) and he is phenomenal here as the toughest, bad-assest Marine commander ever.
Sam Worthington (from the Terminator movie I never saw), Zoë Saldana (Pirates of the Caribbean 1, Center Stage, etc), Sigourney Weaver, Giovanni Ribisi – everybody does a fantastic job here.
Percy Jackson & The Olympians: The Lightning Thief
A very enjoyable movie. Lots of star power: Sean Bean as Zeus, Catherine Keener as Percy’s mom, Steve Coogan as Hades, Pierce Brosnan as the centaur Chiron, Uma Thurman as Medusa, and Joe Pantolioni as Percy’s drunken slob of a stepfather.
I haven’t read the books, so I don’t know how it compares. I was initially confounded at the mythology being presented to me – I’m told it’s supposed to echo Percy Jackson’s confusion, but I felt a little more confused than normal and found it harder to get my bearings in the mythology of the story. It could be that I just ask too many damn questions about the mythology up front…
Not sure how I feel about the emphasis of the three brother gods of Greece being focused on – sure it kind of matches the patriarchal society that the mythology was founded on, but Artemis, Hera and Athena were just as big on the playing field as Zeus, Hades and Poseidon were.
I like how the gods are just as petty as the mortals, they just have unfounded power to wield and the world to screw over if they’re not happy.
I was very excited with the different Greek myths that were drawn upon (obviously in the original novel) for the story. Things like the lotus blossoms and Persephone made me giggle with glee.
Jackson’s best friend Grover (tee hee) has some of the best lines. The CGI used on his hybrid-ness was very well done and very impressive. As was his little dance number in the Lotus Casino.
Summary: It’s the 21st century, but the gods of Mount Olympus and assorted monsters have walked out of the pages of high school student Percy Jackson’s Greek mythology texts and into his life. And they’re not happy: Zeus’ lightning bolt has been stolen, and Percy is the prime suspect. Even more troubling is the sudden disappearance of Percy’s mother. As Percy finds himself caught between angry and battling gods, he and his friends embark on a cross—country adventure to catch the true lightning thief, save Percy’s mom, and unravel a mystery more powerful than the gods themselves.
Sweeney Todd – Musical Theatre West
Phenomenal!!! I walked out of the theatre like. giddy fan boy!
This musical is almost tied with Urinetown as the show I’ve seen the most (I’ve seen 5 different productions of Urinetown and now 4 of Sweeney – once with Norman Large (EEEE) at Riverside Community Theatre; once with John Massey Jr directing, musical directing and starring as Sweeney at STAGEStheatre; and once at the Ahmanson with it’s Tony-award winning “artistic” rendition). Does the movie count as the fifth time? ;-D
This was hands-down one of the best large stage productions of Sweeney Todd I’ve ever seen. The set design, the lighting, the dancing, the singing, the acting – it’s all absolutely phenomenal. It’s no small wonder that the director (who has been in several productions of Sweeney as The Beadle – including the first National Tour) was able to pull this off, but even today it’s still a masterful stroke of Sondheim’s brush that this show is as rich and vibrant as it was almost 30 years ago (as evidenced on the DVD recording). The stars of the show are definitely Norman Large as Sweeney and Debbie Prutsman as Mrs. Lovett, but equal applause goes to the rest of the cast who function as Greek Chorus, assorted people of London-town, and stage hands – moving set pieces while the leads strut about giving us the play. Their vocal power and gaunt stares only enhance the dark, brooding melancholy that is Sweeney Todd, the Demon Barber of Fleet Street.
The Tooth Fairy – Edwards Westminster 10
Yay Seth MacFarlane as Ziggy the black market Tooth Fairy!
The song Randy keeps practicing on his guitar is “Sunshine Of Your Love” and has been recorded by numerous artists (including Jimi Hendrix and Eric Clapton – whom Randy mentions while talking about being a great guitarist).
Yay Julie Andrews! She’s so adorable when she gets to be sassy. Is she like this in those Princess Diaries films?
Billy Crystal is eccentric but comedic.
Has Ashley Judd been reduced to playing a mom?
Dwayne Johnson is fantastic. Everything I’ve seen him in, I’ve just become more and more impressed.
Lincoln’s Sword: The Presidency And The Power Of Words by Douglas L. Wilson
An absolutely fascinating analysis of Abraham Lincoln as a writer, which was undoubtedly his greatest strength. Thusly the title recalls the epic phrase – “the pen is mightier than the sword”, which was coined by English author Edward Bulwer-Lytton in 1839 (thanks Wikipedia!). Some of my favorite quotes and ideas from the book follow – enjoy!
“‘He was a very deliberate writer, anything but rapid. … I never saw him dictate to anyone, and it certainly was not his practice to do so. He seemed to think nothing of the labor of writing personally and was accustomed to make many scraps of notes and memoranda. In writing a careful letter, he first wrote it himself, then corrected it, and then rewrote the corrected version himself.’ … Even though a slow and ‘very deliberate’ writer, Lincoln was not in the least put off by what most people consider the onerous labor of writing. … While never well organized or systematic, he was in fact an energetic, hands-on, detail-oriented administrator” (pp 5).
“Lincoln explained to a long-suffering [William] Herndon that it enabled him to ‘catch the idea by 2 sense,’ by hearing and sight. It also served to give him a feel for the sounds and combinations of sounds that tend to gratify listeners and favorably dispose them toward the author’s or speaker’s ideas. This kind of aural awareness helps to explain how Lincoln was able eventually to become a master of language and to excel at what Robert V. Bruce has called ‘the shaping of words to ideas, of sounds to sense’” (pp 30).
“‘Is it true, then, that any right, plainly written in the Constitution, has been denied? … Plainly, the central idea of secession, is the essence of anarchy. A constitutional majority is the only true sovereign of a free people. Whoever rejects it, does, of necessity, fly to anarchy or to despotism. Unanimity is impossible; the rule of a minority, as a permanent arrangement, is wholly inadmissible; so that, rejecting the majority principle, anarchy or despotism is all that is left’” (pp 49).
“His editor operated on the principle that where commas were concerned, less is more; Lincoln treated commas as a means of regulating pauses and phrasing, and thus considered that more is more” (pp 90).
“One of [Lincoln's] law clerks from the 1840s later claimed that Lincoln told him, ‘I write by ear. When I have got my thoughts on paper, I read it aloud, and if it sounds all right I just let it pass’” (pp 90, 180-181).
“…the abolitionist approach to the problem of slavery was like that of the ‘old reformers,’ calculated to turn slave owners adrift and damn them without remedy. For Lincoln, such a self-righteous and uncharitable approach not only was inhumane, but it had, for a politician in a democratic society, a fatal flaw: it could never earn widespread popular support. This last point says much, for enlisting popular support for a cause was the guiding star of Lincoln’s political philosophy” (pp 109).
“But in proclaiming emancipation as a military necessity, he greatly feared that he was granting freedom that might not be permanent. His position from the beginning of the conflict had been that all the government required was that the rebellious states cease their resistance to the national authority and resume their ‘constitutional relation’ to the United States. Surely it was all too clear that if or when this came about, the first thing the former rebels would do would be to seek to reclaim property seized under a ‘military necessity’ that no longer existed” (pp 131).
“‘No one had greater responsibility for defining and directing democracy than the president,’ writes a leading historian of Lincoln’s presidency, Phillip S. Paludan, ‘ and Abraham Lincoln may have been the most qualified man int he nation for the job. For over a quarter century, as both lawyer and politician, Lincoln had been in the persuading business in the most democratic society in the world.’ … Aristotle’s precept – ‘our judgements when we are pleased and friendly are not the same as when we are pained and hostile.’ … ‘Persuasion,’ writes Aristotle, ‘is achieved by the speaker’s personal character when the speech is so spoken as to make us think him credible. We believe good men more fully and more readily than others; this is true generally whatever the question is, and absolutely true where exact certainty is impossible and opinions are divided.’ … [Lincoln] understood that he would be better served by simply giving [strangers] reason to believe that, whatever his faults, he was essentially honest and trustworthy” (pp 147-148).
“As president, he had, it seemed, almost a phobia about speaking without a prepared text. … This is the mark of a man who had a profound appreciation for the power of words, and who would rather pass up an opportunity to gratify his public than to express himself with less than precision. In this connection, Richard J. Carwardine makes an especially telling point: ‘His enforced near-silence made him all the more attentive to the quality of his prose, which he sought to imbue with color, life and energy’” (pp 166-167).
“‘All honor to Jefferson – to the man who, in the concrete pressure of a struggle for national independence by a single people, had the coolness, forecast, and capacity to introduce into a merely revolutionary document, an abstract truth, applicable to all men at all times, and so to embalm it there, that to-day, and in all coming days, it shall be a rebuke and a stumbling-block to the very harbingers or re-appearing tyranny and oppression’” (pp 204).
“‘And I see in a succession of battles in Pennsylvania, which continued three days, so rapidly following each other as to be justly called one great battle, fought on the first, second, and third of July, and on the fourth the enemies of the declaration that all men are created equal had to turn tail and run’” (pp 207).
“Pascal – ‘I have made this letter longer than usual, because I lack the time to make it short.’ Henry David Thoreau – ‘Not that the story need be long, but it will take a long while to make it short.’ Woodrow Wilson – ‘If I am to speak for ten minutes, I need a week for preparation; if fifteen minutes, three days; if half an hour, two days; if an hour, I am ready now.’” (pp 228-229).
“‘Was it possible to lose the nation, and yet preserve the Constitution? By general law life and limb must be protected; yet often a limb must be amputated to save a life; but a life is never wisely given to save a limb’” (pp 247).
“…he was a good listener; he had a way of making his visitors feel important, that he valued their opinions, and that his response was candid and sincere” (pp 248).
“‘…each party claims to act in accordence with the will of God. Both may be, and one must be wrong. God can not be for, and against the same thing at the same time. in the present civil war it is quite possible that God’s purpose is something different from the purpose of either party – and yet the human instrumentalities, working just as they do, are of the best adaptation to effect His purpose’” (pp 254).
“‘…since the will of God necessarily prevails, it must follow that God wills this contest, and wills that it shall not end yet_’”(pp 256).
“while Lincoln believed he was not the captain of the ship that ‘carried him on life’s rough waters,’ neither did he regard himself as an ‘idle passenger but a sailor on deck with a job to do’” (pp 261).
“Fondly do we hope – fervently do we pray – that this mighty scourge of ware may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondman’s two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash, shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said, ‘the judgments of the Lord are true and righteous altogether’” (pp 273). Slavery -> Civil War, Civil Rights injustice -> Vietnam War, other rights injustice -> Gulf War? I’m just wondering.
“…one of the things Lincoln strove for in his writing, especially on great occasions, was to emulate his idol [, Henry Clay,] and attempt to touch the chords of human sympathy by the same means, through the tone or manner of expression. This meant using language that, in its rhythms as well as its connotations, carried conviction. What is interesting is that Henry Clay, who was enormously successful as a speaker addressing the issues of his day, ceased to read when those issues receded, whereas Lincoln’s writings live on” (pp 280).
“‘the President wrote the Message on stiff sheets of a sort of cardboard, which he could lay upon his knee and write upon as he sat with his feet on the table and his chair tilted back in the ‘American attitude”” (pp 282).
Sherlock Holmes – AMC Del Amo 18, Torrance, CA
Absolutely wonderful! I mean I already knew I would love it just for the talent (Director Guy Ritchie and actors Robert Downey Jr, Jude Law, Rachel McAdams, and Mark Strong!), but it turned out to be 100 times better than I could have possibly imagined.
I may boycott movie theatres except for big, BIG, releases (thank God there’s only 2 more Harry Potter movies). Cell phone glows are the bane of my existence.
Soundtrack is incredible! Yay Hans Zimmer!
We saw at least 20 minute of trailers: Sorcerer’s Apprentice, Youth In Revolt, Cop Out, Clash Of The Titans, Iron Man 2…it was ridiculous!