October Theatre (The Importance Of Being Ernest, The Wedding Singer, The Woman In Black)

The Importance Of Being Ernest – Golden West College

Tony Graham, Angele Lathrop, Merci Hase, Sara from Seven Brides, Gina from Breaking Up, …
Really liked Algernon…he played the character really well and gave Rupert Everett a definite run for his money.

The Wedding Singer – California State University Fullerton

Katie Del Vecchio, Amanda Shay, Millie from Torrance’s “Seven Brides for Seven Brothers” and the always amazing Cindy Shields. It was nice to see it on a big stage (loved the use of Thriller for “Casualty of Love” as well…) as the only other time I’ve seen it was when David Green produced it at OCPAC’s Founder’s Stage. This production was excellent and highly enjoyable. The music is awesome and fun to rock out to and even though this production was tracked, everyone did a really good job (I don’t remember any major slips or delays while waiting for the track and it sounded fairly decent).

The Woman In Black – Stage Door Repertory Theatre

Damn you Nick Charles! This play creeped me the hell out. I’m very glad I got to see it, but….damn! Creepy! And I even had a nightmare about the woman like 2 weeks after seeing the show (none the night of, just one 2 weeks later!).

Amazing performances by Nick and David and the aforementioned Woman (David’s wife). I’m so glad in this production the woman didn’t actually get to move throughout the theatre as I’m heard she did down at the El Camino Playhouse…I would have just left the show for fear of my life at that point! LOL

It will be very interesting to see how Daniel Radcliffe handles the role next year….if I can even sit in the theatres…I might have to wait until it’s home release and then watch it with the mute button at the ready (it’s the only way I got through Jaws…and I should probably go back and watch the very end of Alien muted as I turned the TV off in middle school when Ridley was alone on the ship….). But then again, it all feeds back into how my aural perception is my ultimate sense despite barely being able to hear people sometimes (for that I blame my impossible-to-diagnose-medically-ADD)…with sound I can imagine anything my eyes have seen before. I love ripping movies and just listening to the audio track.

A Very Cultured Saturday (Tim Burton Exhibition At LACMA & Encore Entertainment’s Production Of The Drowsy Chaperone)

What fun! Went to the Los Angeles County Museum of Art (AKA LACMA) for the first time with our friends Jeff and Wendy to check out the Tim Burton Exhibition (closes Oct 31) and various other exhibits there. Then Laura and I went to West High in Torrance to see a student production of The Drowsy Chaperone which was a lot of fun!

Tim Burton Special Exhibition (Resnick Pavilion): to see so much Burton goodness in such concentrated form was amazing. The exhibit features remnants from his interment in Burbank (winning contest entries, doodlings on newspapers, poetry referencing classmates), props and costumes from his numerous film projects and replication maquettes from Nightmare and Corpse Bride, but what’s really amazing is to see how much of Burton’s genius is captured in his sketches. It is his preferred medium of communication, and his prose is stunning. The rooms of the exhibit are lined with his sketches and there are grotesque, visual and absolutely fascinating. Also fun to note that he is an avid sculptor (some very nice pieces of his on display, not to be confused with the work of Rick Heinrichs, one of his long-term collaborators, aka a member of his “posse”) and photographer (a really fun collection of Polaroid prints that he enlarged and played with). And the exhibition included Stain Boy! I just geek out a little because I really love the Stain Boy animated webisodes. They feature characters from Burton’s published collection of poetry/drawings entitled The Melancholy Death Of Oyster Boy And Other Stories and were so Burton-esque and fun. My one tiny complaint was the initial flow of the exhibit: it suffers greatly from the large (and constant) crowd of people. I didn’t really start having fun until we got into the larger rooms that absorbed more people and gave everybody room to actually look at the exhibits. All in all it’s a really great exhibit that’s worth visiting.

Lunch at the Plaza Cafe. Pretty good for The Patina Group. They had dark chocolate Toblerone! That’s so hard to find commercially! Whoo hoo!

Pavilion For Japanese Art: very fascinating structure (internally and externally), not forgetting the pretty art. The architecture flows very well with lots of smooth lines.

Ahmanson Building: Burton Selects is just a gallery of art that Burton likes, doesn’t necessarily extend the exhibit experience; really tall LA cops/Watts Tower exhibit; Transformers piece.

Broad Contemporary Art Museum: Redbeard action figure from Scooby Doo; giant elevator piece (no longer functioning); giant (accurate) balloon dog; gorgeous view from the 3rd floor of the Hollywood sign, the Griffiths Observatory and other LA tourist attractions.

The Mourners (Art Of The Americas Building): really interesting statuettes with incredible detail from the tomb of the Dukes of Burgundy (on loan/tour while they renovate their home).

Hammer Building: Korean Art while looking for Egyptian mummies. Find the Egyptian exhibit, it’s actually part of a Near-East exhibit (where’s THAT line??) and wander into gallery upon gallery of art in the classic sense (you know, paintings and statues and stuff). This was where we had the most fun: we’d see a giant stone tablet and joke about it being the 2nd marker and needing to make a rubbing; blue and white vases would inspire, “4th century Ming dynasty. Thank God, it’s a fake!”. There was one statue bust that, due to the way it was lit looked like it was made from white modeling chocolate. We’d see a cardinal and joke about Tim Curry (who portrayed Richelieu in the 90′s 3 Musketeers film). There were two pieces that were very interesting for their use of physical depth: one was a depiction of the golden apple event that leads to the Greco-Trojan war and the other was (I think) about Neptune’s victory over somebody. The first one was carved in white stone and used depth incredibly well – the foreground characters were practically statues while the background were faded carvings. The second one made me think about Brooke McEldowney (cartoonist behind 9 Chickweed Lane and Pibgorn) and other cartoonists that play with the “frame” of their comics because it was a bronze-looking carving that exploded out of the frame in which it was placed – quite literally! There was action crawling out of the carving and taking place on top of the frame. It was very nifty.

The Drowsy Chaperone: Sure they’re just kids, but they’re ambitious and talented. Great production! I loved Ryan Jure’s take on The Man In The Chair (who pretty much runs the show) – great gravitas mixed with screwing the fourth wall and doing whatever he felt like while watching/narrating/commenting on the action of the musical within the musical.

Dish The Musical – The Gallery Theatre, Anaheim, CA

Epically hilarious and very clever, this world premiere of an original work is highly recommended and a great escape for a couple of hours. Hope you got a chance to see it!

Favorite numbers: Judge Judy Rules (a nice doo-wop song) and Vampires Are Really, Really Hot (hilarious take on how there’s hundreds of vampire shows).

The cast did a fantastic job. Really good impersonations (favorites are Whoopi Goldberg and Arnold Schwarzenegger).

Grease – GoldenWest College

People I know: Whitney Ackerman (Danny Zuko), Amanda Baker (Marty), Brian Sipkovich (Kenickie), David Kinne (Sonny), Jonathan Dean (Vince Fontaine), Josh Alton (Teen Angel), Sarah Harrington (Anita), Megan Berndt (Peggy), and my amazingly talented sister Alyssa Heckman (Sherry).

Aside from adding the song “Hopelessly Devoted To You” from the movie (which was a nice moment for Sandy but is then duplicitous/redundant when shortly followed by “Raining On Prom Night” – kind of like they wanted to remind us that Sandy is still depresse after intermission), the musical remains true to it’s source and is a wonderful trip to the raunchy and rebellious 50′s.

Laura is not a fan of this musical because it instructs girls that the only way to get through high school is to give in to peer pressure, as Sandy does by dressing “hot” at the end of the show, and I agree with Laura…it is a strange conflicting message…is it just suppose to be a period piece where the moral shouldn’t be applied to kids today?

Anything Goes – Laguna Beach High School

A delightful production of Cole Porter’s musical stone soup (nearly every song in the 1986 version that everyone does is from a different Cole Porter musical; the original Anything Goes is called the Beaumont version and is very rarely done), the kids of Laguna Beach High School do a fantastic job with a high school arts budget (even if it is a south Orange County high school arts budget).

Laura grew up learning a lot about boats and apparently the running lights were backwards – the green light is supposed to indicate the starboard (right) side of the ship and the red light is supposed to indicate the port (left) side of the ship. Of course this really doesn’t affect the caliber of the production, but it’s a great conversation piece!

Sweeney Todd – Musical Theatre West

Phenomenal!!! I walked out of the theatre like. giddy fan boy!

This musical is almost tied with Urinetown as the show I’ve seen the most (I’ve seen 5 different productions of Urinetown and now 4 of Sweeney – once with Norman Large (EEEE) at Riverside Community Theatre; once with John Massey Jr directing, musical directing and starring as Sweeney at STAGEStheatre; and once at the Ahmanson with it’s Tony-award winning “artistic” rendition). Does the movie count as the fifth time? ;-D

This was hands-down one of the best large stage productions of Sweeney Todd I’ve ever seen. The set design, the lighting, the dancing, the singing, the acting – it’s all absolutely phenomenal. It’s no small wonder that the director (who has been in several productions of Sweeney as The Beadle – including the first National Tour) was able to pull this off, but even today it’s still a masterful stroke of Sondheim’s brush that this show is as rich and vibrant as it was almost 30 years ago (as evidenced on the DVD recording). The stars of the show are definitely Norman Large as Sweeney and Debbie Prutsman as Mrs. Lovett, but equal applause goes to the rest of the cast who function as Greek Chorus, assorted people of London-town, and stage hands – moving set pieces while the leads strut about giving us the play. Their vocal power and gaunt stares only enhance the dark, brooding melancholy that is Sweeney Todd, the Demon Barber of Fleet Street.