White Christmas – OCPAC

Alright, that was cute.

A very nice adaptation with some interesting and eyebrow-raising changes.

Thank you Sarah for pointing out that the dancing/choreography is amazing – we agree. And yes, the tempo’s are all a bit too fast (even “Love, You Didn’t Do Right By Me”), but we’ve decided that that is because they added so much content they needed to race through all the songs in order to be done at a decent hour. ;-)

Laura very much liked the formation changes – they were very dynamic and effective.

I guess at the end of the day, they have to make a bunch of broad changes and the audience gets to pick and choose their favorites. Me, I liked the General and Martha and all of the new songs were VERY well done. The only original songs cut were Mandy/Minstrel Show and Choreography which makes perfect sense as they are incredibly dated.


*Unedited thoughts after Act 1*

It’s nice for what it is. That is to say it’s not the movie (obviously), but for some reason I got my hopes up.

I don’t like the changes to Phil Davis’ character, but I blame that on my being such an avid Danny Kaye fan.

I like Bob Wallace – I get a real Bing vibe from his physical presence.

Meh on the changes to Snow (a train to New York…with a drawing room and 2 comfy beds…and they also skipped the whole guys-doing-Sisters but which I’m rather sad about) and the whole Ralph at the Ed Sullivan show thing (million dollar deal wouldn’t break the general’s heart as much as embarrassing him on national TV would).

A Streetcar Named Desire – Golden West College

Kim Brown was the primary reason we came (and Laurie Reynolds…and Veronica Mullins…and Mason Meskell…and Nika…and…well you get the picture), but the raw emotional power onstage was the reason we stayed.

One particular moment is still shudderingly vivid in my head…it’s in Blanche’s Act II monologue about what really happened to Belle Reve and the line where Blanche calls to the soldiers creeped me the hell out!

And the music was fantastic (Veronica told us later that she just brought in her collection of jazz and told the director, “Here.” LOL).

Blue Man Group – OCPAC

AMAZING!!! I’ve been a Blue Man Group fan for years and am very excited that they can now take the amazing artistic/cultural experience that their show is and tour the country!

  • Shake That Thang (at least 90% of the audience stood up which is pretty amazing for )
    • Please give us back our balls
  • Gipad
    • multiple blue men to pull off the costume changes for the digi-enhancer bit, but absolutely brilliant!
    • also a very culturally relevant way to do the information bit (the three giant signs where if you’re lucky or insane you can read all the content before the change it)
  • Texting before light suits
  • Toilet paper confetti
  • They gave away all the artwork!!! Well not the human canvas cuz they need that one. but the shirts and hats song, they gave away the painting and the marshmallow tower!
  • set list
    • they definitely started with TV Song
    • Drumbone was in there
    • as was Feast Picking
    • and PVC IV
    • and a new version of Rods and Cones
    • not Utne Wire Man but Light Suits
    • Shirts and Hats
    • Time To Start
      1. One Armed Fist Pump
      2. Raise The Roof
      3. Wave Your Hands In The Air
      4. Getting A Closer Look At The Audience
      5. Behind The Head Leg Stretch (???)
      6. 2-Armed Upward Thrust With Yell
      7. Clapping Your Hands In Unison For An Encore (???)
  • i love the marshmallow tower in the lady’s purse and the toblerone in the guys hand

October Theatre (The Importance Of Being Ernest, The Wedding Singer, The Woman In Black)

The Importance Of Being Ernest – Golden West College

Tony Graham, Angele Lathrop, Merci Hase, Sara from Seven Brides, Gina from Breaking Up, …
Really liked Algernon…he played the character really well and gave Rupert Everett a definite run for his money.

The Wedding Singer – California State University Fullerton

Katie Del Vecchio, Amanda Shay, Millie from Torrance’s “Seven Brides for Seven Brothers” and the always amazing Cindy Shields. It was nice to see it on a big stage (loved the use of Thriller for “Casualty of Love” as well…) as the only other time I’ve seen it was when David Green produced it at OCPAC’s Founder’s Stage. This production was excellent and highly enjoyable. The music is awesome and fun to rock out to and even though this production was tracked, everyone did a really good job (I don’t remember any major slips or delays while waiting for the track and it sounded fairly decent).

The Woman In Black – Stage Door Repertory Theatre

Damn you Nick Charles! This play creeped me the hell out. I’m very glad I got to see it, but….damn! Creepy! And I even had a nightmare about the woman like 2 weeks after seeing the show (none the night of, just one 2 weeks later!).

Amazing performances by Nick and David and the aforementioned Woman (David’s wife). I’m so glad in this production the woman didn’t actually get to move throughout the theatre as I’m heard she did down at the El Camino Playhouse…I would have just left the show for fear of my life at that point! LOL

It will be very interesting to see how Daniel Radcliffe handles the role next year….if I can even sit in the theatres…I might have to wait until it’s home release and then watch it with the mute button at the ready (it’s the only way I got through Jaws…and I should probably go back and watch the very end of Alien muted as I turned the TV off in middle school when Ridley was alone on the ship….). But then again, it all feeds back into how my aural perception is my ultimate sense despite barely being able to hear people sometimes (for that I blame my impossible-to-diagnose-medically-ADD)…with sound I can imagine anything my eyes have seen before. I love ripping movies and just listening to the audio track.

A Very Cultured Saturday (Tim Burton Exhibition At LACMA & Encore Entertainment’s Production Of The Drowsy Chaperone)

What fun! Went to the Los Angeles County Museum of Art (AKA LACMA) for the first time with our friends Jeff and Wendy to check out the Tim Burton Exhibition (closes Oct 31) and various other exhibits there. Then Laura and I went to West High in Torrance to see a student production of The Drowsy Chaperone which was a lot of fun!

Tim Burton Special Exhibition (Resnick Pavilion): to see so much Burton goodness in such concentrated form was amazing. The exhibit features remnants from his interment in Burbank (winning contest entries, doodlings on newspapers, poetry referencing classmates), props and costumes from his numerous film projects and replication maquettes from Nightmare and Corpse Bride, but what’s really amazing is to see how much of Burton’s genius is captured in his sketches. It is his preferred medium of communication, and his prose is stunning. The rooms of the exhibit are lined with his sketches and there are grotesque, visual and absolutely fascinating. Also fun to note that he is an avid sculptor (some very nice pieces of his on display, not to be confused with the work of Rick Heinrichs, one of his long-term collaborators, aka a member of his “posse”) and photographer (a really fun collection of Polaroid prints that he enlarged and played with). And the exhibition included Stain Boy! I just geek out a little because I really love the Stain Boy animated webisodes. They feature characters from Burton’s published collection of poetry/drawings entitled The Melancholy Death Of Oyster Boy And Other Stories and were so Burton-esque and fun. My one tiny complaint was the initial flow of the exhibit: it suffers greatly from the large (and constant) crowd of people. I didn’t really start having fun until we got into the larger rooms that absorbed more people and gave everybody room to actually look at the exhibits. All in all it’s a really great exhibit that’s worth visiting.

Lunch at the Plaza Cafe. Pretty good for The Patina Group. They had dark chocolate Toblerone! That’s so hard to find commercially! Whoo hoo!

Pavilion For Japanese Art: very fascinating structure (internally and externally), not forgetting the pretty art. The architecture flows very well with lots of smooth lines.

Ahmanson Building: Burton Selects is just a gallery of art that Burton likes, doesn’t necessarily extend the exhibit experience; really tall LA cops/Watts Tower exhibit; Transformers piece.

Broad Contemporary Art Museum: Redbeard action figure from Scooby Doo; giant elevator piece (no longer functioning); giant (accurate) balloon dog; gorgeous view from the 3rd floor of the Hollywood sign, the Griffiths Observatory and other LA tourist attractions.

The Mourners (Art Of The Americas Building): really interesting statuettes with incredible detail from the tomb of the Dukes of Burgundy (on loan/tour while they renovate their home).

Hammer Building: Korean Art while looking for Egyptian mummies. Find the Egyptian exhibit, it’s actually part of a Near-East exhibit (where’s THAT line??) and wander into gallery upon gallery of art in the classic sense (you know, paintings and statues and stuff). This was where we had the most fun: we’d see a giant stone tablet and joke about it being the 2nd marker and needing to make a rubbing; blue and white vases would inspire, “4th century Ming dynasty. Thank God, it’s a fake!”. There was one statue bust that, due to the way it was lit looked like it was made from white modeling chocolate. We’d see a cardinal and joke about Tim Curry (who portrayed Richelieu in the 90′s 3 Musketeers film). There were two pieces that were very interesting for their use of physical depth: one was a depiction of the golden apple event that leads to the Greco-Trojan war and the other was (I think) about Neptune’s victory over somebody. The first one was carved in white stone and used depth incredibly well – the foreground characters were practically statues while the background were faded carvings. The second one made me think about Brooke McEldowney (cartoonist behind 9 Chickweed Lane and Pibgorn) and other cartoonists that play with the “frame” of their comics because it was a bronze-looking carving that exploded out of the frame in which it was placed – quite literally! There was action crawling out of the carving and taking place on top of the frame. It was very nifty.

The Drowsy Chaperone: Sure they’re just kids, but they’re ambitious and talented. Great production! I loved Ryan Jure’s take on The Man In The Chair (who pretty much runs the show) – great gravitas mixed with screwing the fourth wall and doing whatever he felt like while watching/narrating/commenting on the action of the musical within the musical.

Over The River And Through The Woods – Torrance Theatre Company

A very intriguing discussion about family, generational relationships, expectations and other emotional hockey pucks served up during nice Sunday meals at Grandma’s house…in Hoboken, New Jersey.

Talking with one of the actors afterwards (Derek Rubiano), he said something very poignant – that you can take something away from the show no matter where you are in life. And it’s true. I am newly married and took away certain things, but with 6 different back stories to pick from, I imagine anybody can take anything away from this play with very little difficulty.

Favorite line (as I vaguely remember it):
Emma (one of the grandmothers) talked about how their children and grandchildren had higher expectations from life then they did resulting in a different life…not necessarily better, just different.

Very intriguing use of a “pop-up” space, the Torrance Theatre Company found a space for rent in Old Torrance and turned it into a perfectly lovely black box theatre. While it was unusually cold that night, there were blankets available free-of-charge and this freakish California weather can only last so long, right?

All in all a phenomenal production.

In The Heights – OCPAC

Very fun story with lots of high energy dance and freestyle lyrics.

The story of a neighborhood in Washington Heights that has evolved into a large family unit that protects itself as the rest of the world beats down on it.

really enjoyed In The Heights @OCPAC but it occurred to me that it’s @ThatKevinSmith ‘s Clerks with color & on the other side of the Hudson
10:25 PM Aug 7th via Twitter for iPhone

Anything Goes – Laguna Beach High School

A delightful production of Cole Porter’s musical stone soup (nearly every song in the 1986 version that everyone does is from a different Cole Porter musical; the original Anything Goes is called the Beaumont version and is very rarely done), the kids of Laguna Beach High School do a fantastic job with a high school arts budget (even if it is a south Orange County high school arts budget).

Laura grew up learning a lot about boats and apparently the running lights were backwards – the green light is supposed to indicate the starboard (right) side of the ship and the red light is supposed to indicate the port (left) side of the ship. Of course this really doesn’t affect the caliber of the production, but it’s a great conversation piece!