This is a dramatization of a novel that was also a movie. Originally titled “The Caine Mutiny”, the novel details the actual incident as well as the ensuing court martial. After the movie was made starring Humphrey Bogart as Captain Queeg, Broadway came calling. The author decided to dramatize just the court martial, revealing the incident solely through exposition. Thus The Caine Mutiny Court Martial was born.

A fascinating courtroom drama, the stars of this production are Lt. Cmdr. Queeg (Michael Turner), Lt. Barney Greenwald (Geoffrey Varga) and Signalman Third Class Junius Urban (the comedic relief, portrayed by Shane Cullum). Everybody else kind of passes in the night and does alright, but these three actors really make the performance worth enduring.

I’m really pissed at my audience. About halfway through the 2nd act, Queeg delivers one hell of a monologue that builds and builds and builds and when it finally reaches its peak, you see him not as a rational military thinker, but as a paranoid personality. And my audience chose to clap for him, COMPLETELY destroying the moment. Damn seniors! If I ever reach my golden years, go to a show and do that, you have my permission to shoot me in the head. Just remind me first, cuz otherwise that’s just cruel. And wait until the show is over, so that the performance is no more disturbed than it already is.

I fell asleep during the first act because I was very tired which is a shame because the show is really cool. The show consists of Hal Holbrook, who has been performing Mark Twain for over 50 years now, coming out on the stage (which is dressed up as a period turn of the 20th century lecture hall stage – chair, podium, table with books, water and combination ashtray/matchbox) and lecturing us for about 3 hours (one 15 minute intermission). It was a little frustrating because his speech was mumbled about a quarter of the time and a little difficult to understand some of the names he pronounced, but other than that, it was a hilarious show and I feel privileged to have seen Hal Holbrook perform Mark Twain at least once in my life. He also said some very poignant things that made me want to go read the collected works of Mark Twain.

The second act featured an excerpt from Huckleberry Finn which was very cool…fun to watch the “author” act out a reading of his work.

The French are thoroughly made fun of.

“I wonder if the French are the missing link between man and the monkey…”

“[in describing how all evidence in the trial of Satan is from the prosecution, never the defense]…it’s not English…it’s not American. It’s French.”

Something about how God created the monkey because he messed up with man? Whatever…it was still funny…

If someone doesn’t agree with your opinion, that person is insane. It’s very hard to respect other people’s opinions without getting frustrated at them. They are insane after all.

I drink 2 glasses of Scotch a night to prevent toothaches. I’ve never had toothaches before and I don’t plan on having them ever again.

It’s very hard to cure someone if they don’t have any habits.

Enjoyable. Thought provoking.

If you’re a midgit and you are unwilling (or view it as degrading) to portray an elf, you must really hate Christmas.

Carrie-Anne Seesock (sp?)(an old friend/associate from Orange County Song and Dance) was one of the show choir chorus that accompanies the Rockettes.

The Rockette’s were very impressive with their coordination and teamwork…as a member of a swing dancing team that is performance based, it was very impressive and thought-provoking to watch the precision of the Rockettes.

AND THE UNITED STATES ARMY FIELD BAND JAZZ AMBASSADORS!!!! They played swing music and I had to sit their instead of jumping up and dancing it because no one was able to take up the 2nd ticket. Shoot.
So I show up for the event ready for a good time just because I love A Chorus Line (currently playing at the Curtis Theatre in Brea…go see it!) and The Sting. I don’t get a program, take my seat and wait for the show to start. Marvin Hamlisch comes out and tinkles the ivory with “As Time Goes By”, commenting on how memorable movie scores are. He continues with the story of how he got started in the business. He went to Juilliard (never mentioned that he was the youngest person ever to be accepted…he’s a friggin’ prodigy!) and from there played rehearsal piano for Barbara Streisand’s Funny Girl (what’s a rehearsal pianist do? Fetch Babs donuts). Then producer Sam Spiegel bought a piano so that he wouldn’t have to play records at his cocktail parties. Except he didn’t play and neither did any of his guests. So he looked for a pianist to hire, and Hamlisch jumps at the chance (“I’m not Jewish for a hobby”). This led to his first job as a film composer for a movie based on John Cheever’s short story, The Swimmer. The orchestra kicks in with highlights.
Next up was selections from Lerner and Lowe’s My Fair Lady (for God’s sake, get me to the church on time). What’s the connection to Marvin Hamlisch? According to him, when he was in 6th grade, he won a contest. He doesn’t remember how, but he remembers the prize was the soundtrack to My Fair Lady, which immediately garnered a scream from someone in the audience. “We don’t get many My Fair Lady freaks. Usually if I say Camelot (audience cheers).”
Next he talked about how inspirations for writing great songs. He says that for him it was all about great titles. If he heard a great titles for a song, the music would just jump into his head. He proved his point by creating an original composition on the spot based on some titles from the audience (Life Is Good and Driving On The Wrong Side Of The Road).
Next was selections from his award-winning score for the Way We Were. I’d never heard it, so I’m just sitting there being polite because I have no context for this award-winning music.
Next was The Sting! Yay! The symphony was absolutely fantastic as they played The Entertainer and Easy Winners. But the thing that surprised me was that Marvin Hamlisch was asked to adapt Scott Joplin’s music for the movie. I thought that he just did it as a creative choice. Oh well.
For the Act 1 Finale (intermission at a concert in an arena…definitely a weird experience), they did selections from A Chorus Line! Woo hoo! “One”, “Nothing” and “What I Did For Love” is all I can remember. Very beautiful stuff.
So now it’s intermission and I’m gonna go find myself a program. I open up the program and gape at the number list. It’s (almost) all swing-danceable!

Tribute to Irving Berlin
Jumpin’ At The Woodside
Satchmo
Marvin at the Piano
Ellington Centennial Portrait
Intermission
C Jam Blues
Lady Day
Sing, Sing, Sing (Parts 1 & 2)

But how does a symphony orchestra swing? Easy by adding a jazz ensemble to it. They waste a good 20 minutes individually introducing each member of the band (at least it could have been 20 minutes, I think I fell asleep), but then they get down to business. Because they don’t have time to play everything anymore, they only play Jumpin’ At The Woodside, Satchmo (A Tribute), Lady Day (A Tribute), and Sing, Sing, Sing (Parts 1 & 2). It was lots of fun, but the thing I can’t understand is why the program listed only things that Marvin had next to nothing to do with. Why would they book Marvin Hamlisch and then not let him play A Chorus Line or The String? But hey, that’s management’s fault, not mine.
All in all, it was a fantastic concert.