The Pixar Touch: The Making Of A Company by David A. Price

Many thanks to my good friend Jeff Allen for recommending this book. It is an absolutely riveting read. For me it kind of capped off/continued the Disney company history that I so enjoyed discovering in Walt Disney: Triumph of the American Imagination by Neal Gabler (covering Walt’s lifetime) and Disney Wars by James Stewart (covering the period from Walt’s death to Eisner’s successful oust) by telling a completely different story: the story of Pixar. How Ed Catmull, a Mormon computer scientist who knew he couldn’t draw good enough to be an animator decided that he would make a movie with a computer instead (in the 60s). How he gathered a brain trust of computer scientists, electrical engineers, artists and writers around him and shepherded them through 40 years of business transactions and negotiations from the New York Institute of Technology to Lucasfilm to Emeryville, all the while preserving the dream of computer-animated films. And how John Lasseter, ejected himself from the magical kingdom in the 70s, was ushered back in to his current position of power and prestige as the current creative leader of the Walt Disney Company. It was also amazingly fun (and kind of nerdy) to read about all the different technologies developed by Pixar as they worked toward their dream. So yeah, it’s a little bit techy and full of computering terms, but it’s no Google whitepaper on search algorithms. And don’t worry if that was too much tech for you, you’re the perfect audience: author David Price does a fantastic job of breaking down the technobabble so that most people who have interacted with a personal computer or a video game can understand what’s going on.

 

 


Here are some excerpts from the book that I highly enjoyed.

Pg 22: [Alvy Ray Smith on meeting Ed Catmull] He was just accepting. He didn’t lay his trip on anybody. And he didn’t discourage you from your trip.

Pg 93: In the end, after the contract was signed, Roy Disney celebrated with Catmull and Smith over dinner in a private dining room hidden in the New Orleans section of Disneyland.

Pg 101: [Alvy Ray Smith on Steve Jobs' charisma] You actually believe it when you are there with him because he convinces you in a way that some of the things that you know are actually reality are really just that you are being shortsighted, or you are not trying hard enough, or you’re just missing something. You believe him because he is so powerful and so charismatic and so enthusiastic. But then when you get back to the real world, you realize, I knew this wasn’t going to work.

Pg 155: [John Lasseter] arrived at the [1996 Academy] awards ceremony in a chauffeur-driven Oscar Mayer Wienermobile.)

Pg 161: [Regarding A Bug's Life] It was an engaging story, and one that dovetailed, in a way, with Buzz’s evolution in Toy Story. Where Buzz had to reconcile himself to the disappointment of learning what he was – a toy, not a space-man – Red [the prototype for Flik] was to find that if you put on a mask to look more noble than you are, you might just grow into the mask.

Pg 185: Al’s Toy Barn is owned/operated by Al McWhiggin.

Pg 197: At one point before Boo became a girl, she was to be from Ireland, mystifying Sulley and Mike by repeatedly referring to Mike as a “wee leppy karn”;

Pg 210: Dory’s character was more than comic relief; as Stanton saw it, her memory loss made her innocent like a child – a substitute child for Marlin during his quest. Dealing with her would force him to learn a modicum of patience and tolerance for her venturesome risk taking, preparing him to be a better father when he finds his son. Stanton also spoke of a spiritual aspect to the relationship of Marlin and Dory. Dory was, literally, an angel fish. “The protagonist’s battle was to overcome fear by discovering faith, and certainly Dory represent the angel, or the helper who showed him how to let go and not be consumed by his worries,” he told an interviewer for a Christian-oriented film Web site. He observed that subtlety is critical in giving films such as Pixar’s a spiritual or religious dimension. “My personal view is that if you go into things on a pulpit or with an agenda in the creative world, it can easily get int he way of your creativity and quality . . . Be Christ-like in everything you do, not worrying about whether you’re furthering the cause.”

Pg 223: The skin of the characters gained a new level of realism from a technology to produce what is known as “subsurface scattering.” Human skin is not fully opaque; part of what makes it look like skin is that it allows some light to reach its inner layers and scatter among them before reflecting back. Consequently, skin looks unnatural if it is rendered as an ordinary solid surface. Algorithms to recreate subsurface scattering, pioneered by a Stanford researcher named Henrik Wann Jensen, allowed the technical crew to mimic human skin more effectively. Yet the humans’ skin could not be too realistic. It was well known that as depictions of humans became more lifelike, audiences would perceive them as more appealing – until the realism reached a certain point, close to human but not quite, when suddenly the depictions would be perceived as repulsive. The phenomenon, known as the “uncanny valley,” had been hypothesized by a Japanese robotics researcher, Masahiro Mori, as early as 1970. No one knew precisely why it happened, but the sight of nearly human forms seemed to trigger some primeval aversion in onlookers. Thus, the minute details of human skin, such as pores and hair follicles, were left out of The Incredibles’ characters in favor of a deliberately cartoonlike appearance.

Pg 228: While Disney and Pixar continued to prosper from their relationship, tensions inevitably arose between their chief executives. The men’s backgrounds could hardly have been more of a contrast – Eisner, brought up with every advantage as the son of an old-money Park Avenue family; Jobs, the adopted son of lower-middle-class parents; Eisner, the career executive; Jobs, the ex-hippie. Yet the true root of their conflicts was neither their differing backgrounds nor the bread-and-butter disagreements involved in doing business together. It was in their similarities: Besides being notably aggressive in representing their companies’ interests, each man was stubborn to the point of petulance and prone to taking disagreements personally.

Pg 232: Eisner still had a card to play, however [in the ongoing contract disputes]. Under the 1991 and 1997 agreements, Disney owned Toy Story and its characters entirely, and also had the right to make sequels to any of Pixar’s other films – with or without Pixar’s involvement. The idea of Disney cranking out Toy Story 3, Finding Nemo 2, and the like drove Lasseter to distraction. He regarded the films almost as his children, and there was little reason to expect that Eisner would tend them with any sort of care. Disney-made sequels under Eisner, it seemed, would be objects of commerce above all. “These were the people that put out Cinderella II,” Lasseter later said mordantly, referring to the 2002 direct-to-video sequel.

Pg 262: [John Lasseter] awaits the installation of his 1901 steam locomotive and tracks on the grounds of his Glen Ellen, California property. He has long shared a love for trains with the legendary Disney animators Ollie Johnston, from who he purchased the locomotive, and Ward Kimball, from whose estate he obtained a seventy-year-old train depot. If his past record means anything, it can be assumed a future Pixar production will portray a locomotive discovering life lessons – once Lasseter hits on the right story. Despite the obligations of his leadership role at Disney, it is difficult to imagine that the boy who emerged into the sunlight after watching The Sword in the Stone has directed his last film.

Pg 281: During the production break on Toy Story, the first commercially marketed, fully computer-animated work emerged from a small Chicago-based firm called Big Idea Productions. Initially sold through Christian bookstores, the thirty-minute video Where’s God When I’m S-Scared? presented Bible-themed stories with characters in the form of talking, singing vegetables.

The Price Of Freedom by A. C. Crispin

Amazing!!!! It answers almost every single question that has arisen about Jack Sparrow since discovering his delightful character in the first film. It’s practically a complete back story, but does so with a gripping narrative and a story that is as lush and vibrant as any locale we’ve seen Jack visit in his four films.

Also makes me want to pick up the junior novels that delve into Jack’s childhood to see what other gems are out there to glean about Jack Sparrow.

I also want to pick up A. C. Crispin’s other novels (she does Han Solo’s backstory!!!).

Artemis Fowl: The Atlantis Complex (Book 7) by Eoin Colfer

I adore Eoin Colfer’s writing. There really isn’t much more to say about it. In this, his 7th venture into the universe of teenaged, criminal mastermind Artemis Fowl, Colfer outdoes himself while paying tribute to the depth of work he has already completed. While I felt a little lost in the beginning, reading Wikipedia helped me remember the characters being referenced, and it was purely a tertiary feeling as the characters and dialogue that were most important were immediately embraced and enjoyed – like old friends out for another night on the town.

Carter Beats The Devil – Glen David Gold

This book was an amazingly and engrossingly phenomenal read. Picked up at random from the Westminster Public Library in a pile of books claiming to be related to U.S. Presidents, the decadently detailed book jacket and description demanded that I take the book home and enjoy it thoroughly, which I promptly did.

Charles Carter is a prominent magician at the height of Warren Harding’s presidency in the late 1920s. When President Harding is found dead in his hotel room mere hours after participating in Carter’s breathtaking final act, the Secret Service immediately try to track the magician down for questioning – which is much easier said than done. After thoroughly gripping us with this overture, author Glen David Gold* launches us down the serpentine path that led a young Charles Carter to where he is today while weaving a mysterious plot of intrigue and assassination rich with characters both fictional and real that we come to care about deeply. His revelations about how some magic illusions work are amazingly in-depth while honoring the magician’s code of never revealing too much.

I highly recommend this book to anyone who is interested in magic, the 1920s or adventure/romance. An excellent read.

*I was surprised/pleased to find out that the author attended UCI (ZOT!).

The Lost Symbol – Dan Brown

Started 9/20/2010

Finished a few days later.

Damn you Dan Brown…you’re such an engrossing writer! Very rarely do books suck me in until 3am like this….but Dan Brown pulls it off with panache. I very much enjoyed this book and can’t wait to not-sleep through his earlier works (I’ve only read this and Da Vinci Code).

Pg. 86: In the words of futurist Arthur C. Clarke, ‘Any sufficiently advanced technology is indistinguishable from magic.’

I wonder if this was ever quoted concerning the Flash Rogue, Abra Kadabra, from the 64th century?

Pg. 104: Peter Solomon would be horrified to know how badly Langdon had failed him.

I should have mailed it to the Marx Brothers.

Will you take it easy?

Take it easy?  Why do you think I sent it home in the first place?!  So that it wouldn’t fall into their hands!

I came here to save you!

Oh yeah?  Well’s who going to come to save you, Junior?!

Pg. 215: the pyramid leads to the entrance of a spiral staircase.

The more I read the more I wonder…isn’t this the same territory that National Treasure did 6 years ago? Granted with more intriguing details than could be detailed in the movie, but still.

American Lion – Jon Meacham

Started 1/3/2010
Finished 8/31/2010

A fascinating analysis of one of the most contentious presidents to ever be in power during the still-formative years of our nation.

I love Andrew Jackson mostly from his appearances on Disney’s Davy Crockett TV show, but this book made me appreciate the $20 bill that much more for all the pain and suffering he went through.

First President to have an assassination attempt (I think)…and the Secret Service STILL wasn’t created…yeesh….

And Another Thing . . . by Eoin Colfer

A delightful sequel from one of my favorite authors (I have all of the Artemis Fowl books except for the newest ones and absolutely love reading them).

Started 9/1/2010
Finished 9/19/2010

Pg. 191: There is a theory … which states that the universe is built on uncertainty and that a definitive statement/action creates a momentary energy vacuum into which flows a diametrically opposing statement/action.

Pg. 225: Most [space]craft give a nod, however brief and unfriendly, toward beauty. Vogon ships did not nod toward beauty. They pulled on ski masks and mugged beauty in a dark alley. They spat in the eye of beauty and bludgeoned their way through the notions of aesthetics and aerodynamics.

Pg. 241: Thor was actually the fifth-fastest being in the Universe. Eight without Mjöllnir to steady him. Number one was Hermes, who mainly used his divine speed to pinch Ares’ nipples and then run away.

Lincoln’s Sword: The Presidency And The Power Of Words by Douglas L. Wilson

An absolutely fascinating analysis of Abraham Lincoln as a writer, which was undoubtedly his greatest strength. Thusly the title recalls the epic phrase – “the pen is mightier than the sword”, which was coined by English author Edward Bulwer-Lytton in 1839 (thanks Wikipedia!). Some of my favorite quotes and ideas from the book follow – enjoy!

“‘He was a very deliberate writer, anything but rapid. … I never saw him dictate to anyone, and it certainly was not his practice to do so. He seemed to think nothing of the labor of writing personally and was accustomed to make many scraps of notes and memoranda. In writing a careful letter, he first wrote it himself, then corrected it, and then rewrote the corrected version himself.’ … Even though a slow and ‘very deliberate’ writer, Lincoln was not in the least put off by what most people consider the onerous labor of writing. … While never well organized or systematic, he was in fact an energetic, hands-on, detail-oriented administrator” (pp 5).

“Lincoln explained to a long-suffering [William] Herndon that it enabled him to ‘catch the idea by 2 sense,’ by hearing and sight. It also served to give him a feel for the sounds and combinations of sounds that tend to gratify listeners and favorably dispose them toward the author’s or speaker’s ideas. This kind of aural awareness helps to explain how Lincoln was able eventually to become a master of language and to excel at what Robert V. Bruce has called ‘the shaping of words to ideas, of sounds to sense’” (pp 30).

“‘Is it true, then, that any right, plainly written in the Constitution, has been denied? … Plainly, the central idea of secession, is the essence of anarchy. A constitutional majority is the only true sovereign of a free people. Whoever rejects it, does, of necessity, fly to anarchy or to despotism. Unanimity is impossible; the rule of a minority, as a permanent arrangement, is wholly inadmissible; so that, rejecting the majority principle, anarchy or despotism is all that is left’” (pp 49).

“His editor operated on the principle that where commas were concerned, less is more; Lincoln treated commas as a means of regulating pauses and phrasing, and thus considered that more is more” (pp 90).

“One of [Lincoln's] law clerks from the 1840s later claimed that Lincoln told him, ‘I write by ear. When I have got my thoughts on paper, I read it aloud, and if it sounds all right I just let it pass’” (pp 90, 180-181).

“…the abolitionist approach to the problem of slavery was like that of the ‘old reformers,’ calculated to turn slave owners adrift and damn them without remedy. For Lincoln, such a self-righteous and uncharitable approach not only was inhumane, but it had, for a politician in a democratic society, a fatal flaw: it could never earn widespread popular support. This last point says much, for enlisting popular support for a cause was the guiding star of Lincoln’s political philosophy” (pp 109).

“But in proclaiming emancipation as a military necessity, he greatly feared that he was granting freedom that might not be permanent. His position from the beginning of the conflict had been that all the government required was that the rebellious states cease their resistance to the national authority and resume their ‘constitutional relation’ to the United States. Surely it was all too clear that if or when this came about, the first thing the former rebels would do would be to seek to reclaim property seized under a ‘military necessity’ that no longer existed” (pp 131).

“‘No one had greater responsibility for defining and directing democracy than the president,’ writes a leading historian of Lincoln’s presidency, Phillip S. Paludan, ‘ and Abraham Lincoln may have been the most qualified man int he nation for the job. For over a quarter century, as both lawyer and politician, Lincoln had been in the persuading business in the most democratic society in the world.’ … Aristotle’s precept – ‘our judgements when we are pleased and friendly are not the same as when we are pained and hostile.’ … ‘Persuasion,’ writes Aristotle, ‘is achieved by the speaker’s personal character when the speech is so spoken as to make us think him credible. We believe good men more fully and more readily than others; this is true generally whatever the question is, and absolutely true where exact certainty is impossible and opinions are divided.’ … [Lincoln] understood that he would be better served by simply giving [strangers] reason to believe that, whatever his faults, he was essentially honest and trustworthy” (pp 147-148).

“As president, he had, it seemed, almost a phobia about speaking without a prepared text. … This is the mark of a man who had a profound appreciation for the power of words, and who would rather pass up an opportunity to gratify his public than to express himself with less than precision. In this connection, Richard J. Carwardine makes an especially telling point: ‘His enforced near-silence made him all the more attentive to the quality of his prose, which he sought to imbue with color, life and energy’” (pp 166-167).

“‘All honor to Jefferson – to the man who, in the concrete pressure of a struggle for national independence by a single people, had the coolness, forecast, and capacity to introduce into a merely revolutionary document, an abstract truth, applicable to all men at all times, and so to embalm it there, that to-day, and in all coming days, it shall be a rebuke and a stumbling-block to the very harbingers or re-appearing tyranny and oppression’” (pp 204).

“‘And I see in a succession of battles in Pennsylvania, which continued three days, so rapidly following each other as to be justly called one great battle, fought on the first, second, and third of July, and on the fourth the enemies of the declaration that all men are created equal had to turn tail and run’” (pp 207).

“Pascal – ‘I have made this letter longer than usual, because I lack the time to make it short.’ Henry David Thoreau – ‘Not that the story need be long, but it will take a long while to make it short.’ Woodrow Wilson – ‘If I am to speak for ten minutes, I need a week for preparation; if fifteen minutes, three days; if half an hour, two days; if an hour, I am ready now.’” (pp 228-229).

“‘Was it possible to lose the nation, and yet preserve the Constitution? By general law life and limb must be protected; yet often a limb must be amputated to save a life; but a life is never wisely given to save a limb’” (pp 247).

“…he was a good listener; he had a way of making his visitors feel important, that he valued their opinions, and that his response was candid and sincere” (pp 248).

“‘…each party claims to act in accordence with the will of God. Both may be, and one must be wrong. God can not be for, and against the same thing at the same time. in the present civil war it is quite possible that God’s purpose is something different from the purpose of either party – and yet the human instrumentalities, working just as they do, are of the best adaptation to effect His purpose’” (pp 254).

“‘…since the will of God necessarily prevails, it must follow that God wills this contest, and wills that it shall not end yet_’”(pp 256).

“while Lincoln believed he was not the captain of the ship that ‘carried him on life’s rough waters,’ neither did he regard himself as an ‘idle passenger but a sailor on deck with a job to do’” (pp 261).

“Fondly do we hope – fervently do we pray – that this mighty scourge of ware may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondman’s two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash, shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said, ‘the judgments of the Lord are true and righteous altogether’” (pp 273). Slavery -> Civil War, Civil Rights injustice -> Vietnam War, other rights injustice -> Gulf War? I’m just wondering.

“…one of the things Lincoln strove for in his writing, especially on great occasions, was to emulate his idol [, Henry Clay,] and attempt to touch the chords of human sympathy by the same means, through the tone or manner of expression. This meant using language that, in its rhythms as well as its connotations, carried conviction. What is interesting is that Henry Clay, who was enormously successful as a speaker addressing the issues of his day, ceased to read when those issues receded, whereas Lincoln’s writings live on” (pp 280).

“‘the President wrote the Message on stiff sheets of a sort of cardboard, which he could lay upon his knee and write upon as he sat with his feet on the table and his chair tilted back in the ‘American attitude”” (pp 282).

Brsinger – Christopher Paolini

Delightful! Although I find rather disturbing the amount of parallels I continue to spy between the Inheritance cycle and the original Star Wars trilogy (at least plot wise)…especially during the recap of the first two books at the beginning.

Part the First:

Spoiler Alert! (place and hold your mouse over the bar to see)

Farm boy's boring life explosively interrupted by exciting worldly politics; Story about an ancient race of peacekeepers with magical powers that died out due to betrayal leading to the current oppressive regime; Farm boy's surrogate parent(s) killed and farm boy runs from danger with the town's storyteller; Storyteller reveals he is one of the surviving peacekeepers and begins to train farm boy in their ancient ways; Storyteller is killed by primary henchman of the evil leader; Cocksure stranger aids the farm boy in his quest to join the rebellion, but wants nothing to do with the rebellion himself; Farm boy and stranger rescue princess from primary henchman's headquarters; Farm boy and stranger escort princess to rebellion headquarters; Farm boy helps rebellion win against a massive army.


Part the Second:

Spoiler Alert! (place and hold your mouse over the bar to see)

Farm boy receives vision instructing him to travel a great distance to continue his training with the last surviving peacekeeper; Farm boy gets permission from the rebellion to continue his training and travels a great distance; Farm boy begins training; Great magic occurs, proving the importance of training to the farm boy; Farm boy leaves prematurely in order to aid his friends in a battle, promising to return; Battle is joined, but the empire has a new advantage/primary henchman: farm boy's blood relative!!!


Part the Third:

Spoiler Alert! (place and hold your mouse over the bar to see)

Farm boy helps his friend rescue a damsel in distress; Farm boy temporarily leaves the rebellion to finish his training and learns a great secret that will aid him in defeating the empire; Farm boy learns the truth about his lineage from a vision of the storyteller; Farm boy returns to battle and helps the rebellion triumph...but the empire is still in control.

There were a couple of points in the book were I actually jumped ahead by a couple of chapters to resume what *I* thought was a more interesting part of the story:  Roran’s military adventures.  The dwarven politics was probably the driest part of the book (albeit interesting…just a little dry) and some of Paolini’s cliffhanger choices seemed a little intolerable to me.  But it all worked out alright.

I am also very much a fan of Paolini’s skill at turning phrases…

“[Roran discussing Eragon's feelings for Arya] ‘Be honest.  You dote upon her words as if each one were a diamond, and your gaze lingers upon her as if you were starving and she a grand feast arrayed an inch beyond your reach’” (page 25).

“[Sloan the butcher cursing at Eragon] ‘You’re nothing but the yellow-bellied offspring of a canker-ridden bunter.  You’re a bastard you are, and an unlicked cub; a dung-splattered, tallow-faced rock-gnasher; a puking villain and a noxious toad;  the runy, mewling spawn of a greasy sow.  I wouldn’t give you my last crust if you were starving, or a drop of water if you were burning, or a beggar’s grave if you were dead.  You have pus for marrow and fungus for brains, and you’re a scug-backed cheek-biter!’” (page 90).

“Fadawar’s men were garbed in the same fashion, although less opulently.  The gold they wore served to proclaim not only their wealth but also the status and deeds of each individual and the skill of their tribe’s far-famed craftsmen. As either nomads or city dwellers, the dark-skinned peoples of Alagaësia had long been renowned for the quality of their jewelry, which at its best rivaled that of the dwarves” (page 98).  Is Paolini making some commentary on rappers and “bling” via allusion?

“‘As soon as our child is born, you will go to Aberon, not Dauth; it is less likely to be attacked.  And if Aberon becomes too dangerous, then you will go to the Beor Mountains and live with the dwarves.  And if Galbatorix strikes at the dwarves, then you will go to the elves in Du Weldenvarden.’  ‘And if Galbatorix attacks Du Weldenvarden, I will fly to the moon and raise our child among the spirits who inhabit the heavens.’  ‘And they will bow down to you and make you their queen, as you deserve’” (page 356).  Ah romance.

“…the prowess of a dragon and Rider is measure not only by how well they work together but also by how well they can function when apart.  We are both ature enough to operate independently of eath other, Eragon, however much we may dislike the prospect” (page 365).

“[Nar Garzhvog describes some of the Urgal traditions] ‘We take logs, and we carve them with faces of the animals of the mountains, and these we bury upright by our houses so they will frighten away the spirits of the wild.  Sometimes the poles almost seem to be alive.  When you walk into one of our villages, you can feel the eyes of all the carved animals watching you…By the doorway of each hut, we hang the namna.  It is a strip of cloth as wide as my outstretched hand.  The namna are brightly colored, and the patterns on them depict the history of the family that lives in that hut.  Only the oldest and most skilled weavers are allowed to add to a namna or to reweave one if it becomes damaged…During the months of winter, those who have mates work with them on their hearth rug.  It takes at least five years to finish such a rug, so by the time it is done, you know whether you have made a good choice of mate’” (page 391).  I am fascinated with Paolini’s design of the Urgals.  They are essentially traditional orcs in design, but their culture is far less bloodthirsty than traditional orcs.   Very Native American and *I* think very cool.

“[Roran taunts soldiers to bait his trap] ‘Ho there, you cowering carrion dogs!  See how only eleven of us bar your way.  Win past us, and you win your freedom.  Try your hand if you have the guts.  What?  You hesitate?  Where is your manhood, you deformed maggots, you bilious, swine-faced murderers?  Your fathers were dribbling half-wits who should have been drowned at birth!  Aye, and your mothers were poxy trollops and the consorts of Urgals! … Cowards you are, every last one of you, you verminous river rats!  If it will give you spine, then know this:  Roran Stronghammer is my name, and Eragon Shadeslayer is my cousin!  Kill me, and that foul king of yours will reward you with an earldom, or more.  But you will have to kill me with a blade; your crowssbows are no use against me.  Come now, you slugs; you leeches; you starving, white-bellied ticks!  Come and best me if you can!’” (page 518).

“It occurred to Eragon that althought he dwarves wer ethe shortest of the races, they built the biggest structures in Alagaësia, which seemed odd to him.  Perhaps, he thought, by making such enormous objects, they do not feel so small themselves. He almost mentioned his theory to Orik but at the last moment decided that it might offend him, so he held his tongue” (page 545).  BWAHA!

“A strange sense of unease troubled Eragon.  He had often longed to be treated as more of an adult, but nevertheless, he did not feel ready to take Oromis’s place.  It seemed wrong to even contemplate the notion.  For the first time, Eragon understood that he would eventually become part of the older generation, and that when he did, hee would have no mentor to rely upon for guidance” (page 692).

“…pouring cauldrons of boiling oil between the merlons of parapet…” (page 702).  Expanding my medieval dictionary!  Merlon (n) : any of the projections between the embrasures of a battlement.

Rebecca – Daphne du Maurier

Slow start, then it starts building to a fever pitch…

The deluxe edition of the version that I read included the author’s original epilogue, an article she wrote several years later about the house that inspired this novel, and a note from the author that planted a theory in my head. See, the author started writing the book and got two chapters done…but then she put it away for a few months or something and then started writing it again when she felt she “had a better grip on the story”. My theory is that this leads to a kind of disjointedness in the first part of the book that made it very difficult to read…took me almost 6 months to finish it! But I’m definitely glad I read the book…it is a timeless romance/horror and I can’t wait to check out the Hitchcock adaptation (although I suspect it may be a little looser than I can appreciate, I’m sure it won’t be another Dreamcatcher*).

*It’s a Stephen King novel that I really liked and the movie disappointed me.