Good Luck Chuck and Ragtime

So I was supposed to drive to Riverside for West Side Story (Performance Riverside) and then down to San Diego (Starlight Theatre) for Ragtime. But when I woke up at 1:17pm, I decided against rushing out of the house to WSS (I feel a bit like a heel though, since I knew folks from Torrance’s WSS were in it) and decided instead to head down to San Diego early and catch a flick.

Good Luck Chuck
This movie fits in the same vein as Wedding Crashers…rated R, lots of sex, lots of jokes. Great fun if you don’t mind a little crudity. The premise is that Dane Cook gets hexed by a Wiccan girl he refuses to have sex with as a child. Every girl he sleeps with will marry the next man they date. Then he meets Jessica Alba, an accident prone girl whom he really likes. Chaos ensues, confused romances evolve, happy endings persist, etc. Jessica Alba was really willing to “take one for the team” as it were…I’ve never seen someone more accident prone….so funny. Dane Cook was very funny, but also very empathic…I really felt for his character as he went through the movie. Definitely a good flick if you can get past the raunchiness.

Ragtime
While not my number 1 favorite show, I am definitely a huge fan of it. It’s an untainted picture of American history with authentic language. Tracking a family as their lives are thrown into chaos by the great American melting plot at the turn of the 20th century, the challenging experiences are paralleled by the seemingly unstructured chaos of the music known as ragtime.

I’m not even sure what I just said. I’m trying to sound like a theatre critic, but I don’t really know what I’m talking about. I just love this show because it’s classic Americana. The performances were all fantastic. Just wonderfully top notch and lots of fun to watch. But it’s closed now, so sorry you missed it!

The Brave One

So I saw it last week and I’m only reviewing it now. Bite me.

The movie is a classic vigilante story, but Jodie Foster takes it up a notch with an artist’s perspective on the whole experience. Foster plays an aural artist with a radio show highlighting the sounds of New York. But after a tragic attack leaves her fiancé dead, she buys a gun, learns the very, VERY, basic mechanics of it’s operation and tries to recover her life. Several gunshots and a near romantic relationship with a cop looking for the vigilante and you’ve got a very terse drama with good acting.

Jodie Foster is SHORT! I didn’t realize how short she was mainly because I never considered Terrence Howard a tall guy. I’m pretty sure they didn’t do any Green Mile magic (have Tom Hanks and David Morse walk in a ditch while Michael Clarke Duncan towers over them), but I couldn’t verify that.

Jodie Foster made some interesting comments after the movie was released in an Entertainment Weekly interview. Mainly she called American audiences “unsophisticated”* because they cheered when she gets her revenge. As someone who’s been forced to take several art classes, I can understand the “spin” they try to put on the classic vigilante tale, but frankly you just can’t do that. Audiences period will always have that gut reaction to vigilante justice whether they want to or not. It’s what people do with that visceral visual input afterwards that makes a person “sophisticated” or not.

I had a gut reaction and thought I heard Jason Mewes (Jay of Jay and Silent Bob) as one of the gang members, but the credits said otherwise….oh well…guess I’m still crazy.

* Sophisticated people go to art auctions. Rednecks, we have yard sales. (Jeff Foxworthy).

3:10 to Yuma

Seeing the original first always makes it difficult to enjoy a remake. Period end of story. Despite that, this is a really good remake. It does that thing that all remakes do though….it adds more people and more travel time in which to kill them off. It also adds more dialogue. Now this isn’t necessarily regrettable, especially in this case. It gives us more back-story (for both main characters) and more dramatic tension. The biggest thing I have to complain about this remake is that because of all that that I just mentioned, you lose some of the best part of the original: the dialogue in the bridal suite between Dan Evans (Christian Bale) and Ben Wade (Russell Crowe). But the dialogue that was there was fantastic. Lots of good added dialogue, but more importantly, a lot of the original dialogue. Some nasty foreshadowing, but you know….what good story doesn’t?

Bale and Crowe are absolutely fantastic. Their interactions are terse and exciting and just lots of fun to watch. Ben Foster is incredible, bringing a psychotic energy to Ben Wade’s right hand man Charlie that is a welcome addition to the story. Alan Tudyk as drunk, old Doc Potter has the most funny lines in this terse Western drama (although Ben Wade get a really good line about “a great view”), and is fantastic.

The “song” being hummed is more traditional and more historically accurate than the “3:10 to Yuma” ballad that accompanied the original.*

They-re gonna hang me in the morning
A’fore this night is done
They’re gonna hang me in the mornin’
And I’ll never see the sun

What?!?!?! In a historical context, you can say coolie but you can’t say nigger? When the hell did that happen? Did Luke Wilson object? And hey! He finally gets a death scene! Yeah Luke!
And why the hell isn’t anybody smoking? ok, there was the two guys with the Gatling gun** rolling cigarettes that made we wonder why Disney is so afraid to have Pecos Bill roll them, but when you’re revitalizing the Western genre I guess you have to revitalize Western morals as well. le sigh. But I do appreciate the dirtier, grittier feel to the West. As in Disney’s The Alamo (2004), the West is now full of cowboys, Indians and Mexicans, all looking for their way. I LOVE that Ben Wade’s gang has a Mexican sharpshooter and an (Apache? Navajo?) Indian with a top hat and a feather. So period…SO cool.
And that’s all I’m prepared to talk about outside of spoiler tags.

Spoiler Alert! (place and hold your mouse over the bar to see)

I didn't like the horrible cliché that Ben Foster forced on the coach driver in order to find out where Ben was…even if it does enhance the whole thing about time and distances in the old West, it's a horrible cliché (Tell us where the talking llama is AND we'll burn your house to the ground). I enjoyed in the original the excitement of seeing Charlie wake up in Contention and then riding out to get the rest of the gang.<br /> Also, I didn't like Ben's gang. They seemed more vicious than in the original. But here's the problem: was the gang more realistic and true to the period because of it? Even if it was, I'd like to think that the image of the gang presented in the original is of a gang with a moral code…that doesn't kill gratuitously. That it wasn't just Ben Wade that made the gang somewhat moral. I mean granted the gang was never Robin Hood and His Merry Men, but they weren't stone-cold killers either.

* Makes me think of Tom Lehrer’s Oedipus Rex song.
**There’s a beautiful continuity error. After the first Gatling gun guy gets shot and falls off, there’s a shot from behind the coach that shows two guys in the back carriage, and then a cut back to the single guy. The other big trip was when they start running towards the station, I swear to you it looked like the ocean was beyond the tracks. Sure it turned out to be snow, but it was a real trip.

Shoot ‘Em Up

This movie is awesome. Highly violent and ultra slick, it follows the idea behind Urinetown: that nothing kills a musical quicker than too much exposition. As I sit here listening to the soundtrack (which is phenomenal as well), I can’t even remember the opening titles. All I remember is the New Line Cinema logo flying in, then the holes being gun shot in, and then Clive Owen sitting on a bus bench. 30 seconds later, the gun fire starts and it doesn’t stop for a good 5 minutes.

There is a story going on that is really quite plausible (the only thing I really miss is confirmation of Owen’s real identity, but I can live without it) and I just enjoyed the heck out of it. A lot of the stunts were really spectacular (over 40 stunt men), but the thing that impressed me the most was the stunt coordination. Owen does a lot of really impressive things with his environment…a lot like Transporter, just with more guns. A lot more.
Paul Giamatti is phenomenal (then again I’ve never seen him do a bad job…a bad movie possibly, but not a bad job) as the chief bad guy (other main bad guy is Stephen McHattie who NEEDS to be Lincoln in a Lincoln biopic) and Monica Belucci is always gorgeous to watch (ever since the Matrix sequels…and so gorgeous that for most people Vincent Cassel is just Mr. Monica Belucci). If you want a pure action movie without English subtitles, check this film out.

Hairspray and Serenity/Firefly

So yeah, I saw it on Monday, but I’m finally getting around to reviewing it…so sue me, sue me, what can ya do me?

Hairspray was a lot of fun to watch, although I think I enjoyed the national tour production I saw more mainly because of the cross-dressing Edna Turnblad. On stage was Mr. Bumpo from The Punisher (2004) and I enjoyed him far more than Mrs. Travolta. Everybody else was fantastic though. And I swear I’m not on a West Side Story recognition binge, but a portion of Big Blonde and Beautiful choreography had bits and pieces of “The Dance At The Gym” choreography (The Blues) and I was kind of giddy….stupid, I know, but yeah. I really enjoyed James Marsden, Zac Efron and Elijah Kelley. Amanda Bynes I was iffy about just because the stage Penny is a lot dumber and a lot funnier. I missed “In the Big Doll House”, but I accept the alterations made for the story. Christopher Walken is so inspiring….I love that he’s still a dancing fool at his age.

Nicest kids in town!


I love the universe that Joss Whedon and Tim Minear cooked up for Firefly/Serenity and as I was rewatching bits and pieces of the tv series/movie again, I started thinking about how much fun an MMORPG based on that universe would be. Of course, my imagination is far more fertile than anything I’ve seen the gaming companies pump out, but allow me some shallow dreaming.

  • 2 playable “sides” with
    different classes

    • Alliance
      • military posting with a career path to operative if wanted
      • government posting with a career path to parliament
    • Browncoats
      • foragers like Mal
      • middle-men like Badger
    • should there be a reaver class? no, just reaver enemies…something else to deal with
  • When: 2 choices
    • sometime during the rebellion
    • after the events of the movie
  • Dialogue options
    • I love The Curse of Monkey Island where you get to choose your dialogue. Something like that which would allow Joss Whedon to write like a million different lines and implement them…kind of like what Gabe talks about for the Penny Arcade video game.

But hey, what can you do but dream or start your own game company. [le sigh]

A Weekend In The Country

[Bonus points if you understand the title reference]

So here it is…Labor Day Weekend 2007. I spent the weekend at the King Frederick Best Western in Solvang. The whole purpose of the trip was to see PCPA’s Urinetown, but I also ended up finishing Pearl Harbor by Newt Gingrich and William Forstchen. The theatre ended up being less than a 1/10 of a mile from our hotel, and it felt really fun to walk to the theatre, see the show and then walk back to the hotel. I’ll have to make this Solvang trip more of a regular thing to see more theatre and walk back to my room. ;)

Urinetown…Not
the Place, The Musical

The Pacific Conservatory of the Performing Arts (PCPA) presents Urinetown in Santa Maria and at Solvang’s TheatreFest.

At first Officer Lockstock seemed a bit too over the top with his gay act, but after a while, I grew to enjoy it.

An Asian Bobby Strong with a white Old Man Strong? I didn’t know the people who cast Disney’s Cinderella (with Brandi) was still working!*

One of the Equity cast members who played Mr. McQueen (Mr. Cladwell’s assistant, third from the right) looked exactly like Steven Spielberg. Creepy cool!

The program for this show was actually quite informative (if not a little too commercial for my taste). It contained liner notes for all the shows for the Summer 2007 billing (makes sense – cheaper on printing and I can’t imagine the amphitheatre doing many shows during the possible rainy season). One of the most interesting things I learned from the notes highlights an old (I don’t want to call it a maxim, but I can’t think of another word for it) maxim of mine that the more times you watch something, the more you will get from it***. Robert Malthus wrote the “Essay on Population” which is referenced and even cited in the play. Hence, Officer Lockstock at the climax of the finale cries, “Hail Malthus!” While I’m talking about that maxim, I also finally decoded another line from the show that I never really comprehended (leave me alone…I have hearing problems when there are multiple sound inputs). It’s during the song “Snuff that Girl”.

“Nuts, they fall close
So they say, to the tree
Looky here, here’s an a-
Corn from Cladwell I see
I say, she is the nut
and of course, we’re the squirrel!
She is what we saved for winter
So let’s snuff that girl!”

Speaking of “Snuff that Girl”, the program said that the show paid homage to West Side Story and Cabaret. I was a little puzzled by this because I had never thought about those shows as being even remotely close to anything in the show. But then not only did Officer Lockstock do the Jet jump randomly, the entire “Snuff That Girl” song is practically inspired by West Side Story’s “Cool”. Nothing familiarizes you with a show like doing it (West Side Story that is). Oh and I can’t forget the Fiddler on the Roof reference that totally topped the song “What Is Urinetown”. I mean the thing is already a classic Russian folk song, but then they went and added the bloody bottle dance to it. Love it! Oh and I can’t forget the Will Rogers’ “Favorite Son” choreography that inspired a moment in the show…I could have sworn it was during “Run Freedom Run”, but without choreography notes, I couldn’t tell you.

Another problem with outdoor amphitheatres? Bats. Several times during the show, a bat (couldn’t tell if it was the same one or another from the flock – what is a group of bats called? A gaggle?**) swooped in and out of the lights above the stage. Kind of distracting, but what can you do. Also, it’s Solvang, so all silences throughout the performance were punctuated by monster cricket chirps.

All in all, a fantastic performance. Quick! Check it out before it disappears.

Pearl Harbor

I have several issues with what I would consider print issues in the book. After a decent-sized preface that details the problems with telling a story containing Asian culture that tries to remain historically accurate, they don’t make up their minds. The biggest issue about that was they said they would call it Nanking and Peking instead of the modern Nanjing and Bangkok and then they call it both things! Frustrating. Also, despite the book being subtitled “A Novel of December 8th”, I KNOW their intention was just to approach it from the Japanese perspective: the morning of Sunday December 7th, 1941 was the morning of Monday December 8th, 1941 in Tokyo. And they totally screw that up because the little date index that appears above the section where the battle actually takes place says it’s December 8th Hawaii time and December 9th Tokyo time. But then they go and talk about how the weekend crew at Pearl Harbor is more lax than the week crew. So it’s a simple little print error, fine. So I’m obsessing, fine. I still think that a book of this quality deserves better than that.

I’ve been raving about this book for a while now, so there’s not really much more I can say. It’s a phenomenal read with characters through whom you can really feel the conflict and emotions that lead up to the attack on Pearl Harbor. And as I keep saying it’s a fascinating insight into Asian culture that I am just blown away by.

* You know, how the Prince was Asian, his father the King was white (Victor Garber) and his mother the Queen was black (Whoopi Goldberg).

** It’s actually a colony. http://www.madsci.org/posts/archives/jul99/932000898.Gb.r.html

*** The most popular example I have of this is the now-extinct Country Bear Vacation Hoedown. The three stuffed heads on the wall (Max the deer, Buff the buffalo and Melvin the moose) are arguing.

“Buff: The way you’re always hibernatin’, you must be part bear.

Melvin: Aw heck, I’m only part moose as it is!”

An intriguing correlation…

i was browsing e-mails and came across this bible verse: Naked came I out of my mother’s womb, and naked shall I return thither: the LORD gave, and the LORD hath taken away; blessed be the name of the LORD.

Job 1:21

and it reminded me of this comic I came across at xkcd

if you haven’t checked the site out before, it’s definitely worth it…it’s so geeky, fun, cool and humorous that I love it.