Meet The Robinsons

This film was lots of fun. It really lifted me up to see the Disney Company moving in such a positive direction. First: The film is preceded by the classic Mickey Mouse short, Boat Builders. Then there was the Walt Disney Pictures logo AND a Disney Animated Studios logo featuring Steamboat Willie! These two bits tell me good things are around the corner for Disney Animated Feature now that John Lasseter has assumed the Walt Disney figurehead in the company* (i.e. he makes a lot of creative decisions). I remember reading several articles online during the development of this picture where Lasseter stepped in and basically fixed parts of the film that weren’t working. Well let me tell you, it paid off.

This film is heartfelt, funny and features incredibly fun characters. It seemed a little predictable to me only because I’m a sci-fi geek and time travel is one of my specialties (or at least figuring out the grandpa clause and stuff like that). And it really drives home the message of always moving forward through life…never giving up.

* I feel obligated to question Lasseter’s decision to pull Chris Sanders’ off of American Dog (Chris’ conception) even though Chris was a big part behind the fantastic Mulan and the blockbuster Lilo and Stitch. But hasn’t this been a Disney precedent practically for years (firing really good story/animators and letting them get hired by other companies)? Or was that just an Eisner era thing….I don’t know anymore. And I also feel I have to question something about business and good story. There was a lot of press about how Cars (which was a great film that I really loved) wasn’t a blockbuster smash even though it did fairly well. That film was entirely John Lasseter…if everything he touches doesn’t turn to gold….does it not matter if it tells a really good story? You know what….I say yes!

Bridge to Terabithia (Movie)

If it weren’t for Katy, I probably wouldn’t have read the book before I saw the movie. This movie is what Eragon should have been: an appropriate tribute to the spirit of the book. I guess I can thank David Patterson (son of the author and screenplay). The only thing missing was the sacred grove, and with no length issues for the movie, they should have included it. Oh well, maybe we’ll get some deleted scenes.

After I read the book, I watched the movie trailer again and got really worried. I mean, Disney kept selling it as a movie along the lines of Chronicles of Narnia, which is a completely different kind of fantasy story.
Bridge to Terabithia is about the imagination of two children, not finding a magic world hidden inside a wardrobe that’s actually a metaphor for Christianity. It’s about keeping your mind open as the world around you tries to stuff you into your parent’s life. “Get your head out of the clouds!”

I recognize the kid who played Jess Aarons, but I couldn’t identify him. The girl from Winn-Dixie played Leslie Bergk and the T-1000 (Robert Patrick) stepped in as Jess’ dad. Oh! And Zooey Deschanel as the hippie singing teacher, Ms. Edmonds. I love her voice…ever since I saw Elf and heard her sing Baby It’s Cold Outside with Leon Redbone. It’s so very pretty.

This was just a really great movie and a really great book adaptation. I’m glad I got to see it before it got pushed out of theatres.

Marvin Hamlisch and the Long Beach Symphony Pops!

AND THE UNITED STATES ARMY FIELD BAND JAZZ AMBASSADORS!!!! They played swing music and I had to sit their instead of jumping up and dancing it because no one was able to take up the 2nd ticket. Shoot.
So I show up for the event ready for a good time just because I love A Chorus Line (currently playing at the Curtis Theatre in Brea…go see it!) and The Sting. I don’t get a program, take my seat and wait for the show to start. Marvin Hamlisch comes out and tinkles the ivory with “As Time Goes By”, commenting on how memorable movie scores are. He continues with the story of how he got started in the business. He went to Juilliard (never mentioned that he was the youngest person ever to be accepted…he’s a friggin’ prodigy!) and from there played rehearsal piano for Barbara Streisand’s Funny Girl (what’s a rehearsal pianist do? Fetch Babs donuts). Then producer Sam Spiegel bought a piano so that he wouldn’t have to play records at his cocktail parties. Except he didn’t play and neither did any of his guests. So he looked for a pianist to hire, and Hamlisch jumps at the chance (“I’m not Jewish for a hobby”). This led to his first job as a film composer for a movie based on John Cheever’s short story, The Swimmer. The orchestra kicks in with highlights.
Next up was selections from Lerner and Lowe’s My Fair Lady (for God’s sake, get me to the church on time). What’s the connection to Marvin Hamlisch? According to him, when he was in 6th grade, he won a contest. He doesn’t remember how, but he remembers the prize was the soundtrack to My Fair Lady, which immediately garnered a scream from someone in the audience. “We don’t get many My Fair Lady freaks. Usually if I say Camelot (audience cheers).”
Next he talked about how inspirations for writing great songs. He says that for him it was all about great titles. If he heard a great titles for a song, the music would just jump into his head. He proved his point by creating an original composition on the spot based on some titles from the audience (Life Is Good and Driving On The Wrong Side Of The Road).
Next was selections from his award-winning score for the Way We Were. I’d never heard it, so I’m just sitting there being polite because I have no context for this award-winning music.
Next was The Sting! Yay! The symphony was absolutely fantastic as they played The Entertainer and Easy Winners. But the thing that surprised me was that Marvin Hamlisch was asked to adapt Scott Joplin’s music for the movie. I thought that he just did it as a creative choice. Oh well.
For the Act 1 Finale (intermission at a concert in an arena…definitely a weird experience), they did selections from A Chorus Line! Woo hoo! “One”, “Nothing” and “What I Did For Love” is all I can remember. Very beautiful stuff.
So now it’s intermission and I’m gonna go find myself a program. I open up the program and gape at the number list. It’s (almost) all swing-danceable!

Tribute to Irving Berlin
Jumpin’ At The Woodside
Satchmo
Marvin at the Piano
Ellington Centennial Portrait
Intermission
C Jam Blues
Lady Day
Sing, Sing, Sing (Parts 1 & 2)

But how does a symphony orchestra swing? Easy by adding a jazz ensemble to it. They waste a good 20 minutes individually introducing each member of the band (at least it could have been 20 minutes, I think I fell asleep), but then they get down to business. Because they don’t have time to play everything anymore, they only play Jumpin’ At The Woodside, Satchmo (A Tribute), Lady Day (A Tribute), and Sing, Sing, Sing (Parts 1 & 2). It was lots of fun, but the thing I can’t understand is why the program listed only things that Marvin had next to nothing to do with. Why would they book Marvin Hamlisch and then not let him play A Chorus Line or The String? But hey, that’s management’s fault, not mine.
All in all, it was a fantastic concert.

300

What a gorgeous film. If Renaissance painters were making movies instead of painting pictures, this is how they would look.

The blood spurts were so animated and very fun to watch…and there was a lot of them.

This “sword and sandal” epic redeems Warner Brothers for Troy, but it doesn’t redeem Wolfgang Peterson…he’s gonna have to work the rest of his life to redeem himself for that crap. Find my review of Troy to better understand.

Frank Miller is a god. I just love his work: as an artist, as a film producer.

Hey! It’s Faramir as the one-eyed guy! Cool! It’s just nice to notice David Wenham and others who got a jumpstart in their careers from Lord of the Rings.

The good congressman (there’s only two that really matter and I’m talking about the one played by Stephen McHattie) looks incredibly like Abraham Lincoln. And it’s not just the facial hair….he just flat-out looks like Lincoln…it’s incredible. I hope he plays Lincoln in Manhunt even though that’s about the hunt for John Wilkes Booth (it should start with the assassination, shouldn’t it?).

Ghostrider

This movie was very fun. Not being a Marvel kid, I’m not intimately familiar with the mythology/background that ties into the character, but this was a good movie with a good mythology. The story was fun and interesting if a little obvious. And of course the most interesting thing was seeing Marvel’s “Spirit of Vengeance” as compared with DC”s “Spirit of Vengeance”, The Spectre. One’s of God, one’s of the Devil (played nicely by Peter Fonda by the way).
I love the special effects….the first time we see Nicholas Cage transform, I thought the character looked a little emaciated, but I either got used to it or the new jacket fixed the problem…I’m not sure. All I know is it looked friggin’ awesome. And when we see the original Ghostrider on his horse? I was so excited. I said to myself: this is why I created an Undead in World of Warcraft….because it just looks so flippin’ cool.
The music was fantastic…I love the rock version of Ghostriders In The Sky and the instrumental stuff was nice too. Looking at the credits, it said Christopher Young, whom I recognized as the composer of the Country Bears soundtrack.
All in all, a decent movie for February release…which is unfortunate because I know it will be gone from theatres this weekend which means if you didn’t see it yet, maybe the DVD sales will recoup the investments because it was a good comic book movie in my opinion. But I’ve heard whisperings of complaints from Marvel kids, so like I said, what do I know…

Daylight Sucks Time

This is just an update that isn’t show related. I’ve not had a lot of sleep since Daylight Savings Time and I blame Congress. Which of course means I have to once again turn on my Republican brethren because I can’t hold the currently elected Democratic regime responsible for this policy change. So Congress pushed Daylight Savings Time to an earlier date to save energy. Which makes sense…but not nearly as much sense as getting America off the foreign oil nipple. Drill in Alaska, research alternative fuels, do anything. Just help me get a little more sleep! But hey, it’s my own fault. Oh well.

The Full Monty

I have loved this musical ever since David Sidoni (of Newsies and OCHSA fame) played “Big Ass Rock” for a warm-up at Orange County Song and Dance Summer Camp many years ago. And I’ve been waiting to see it ever since I chose not to go to the national tour at OCPAC back in 2003 (long story about surgery and not sure I would be able to sit down in a chair for that long a time). It’s been gone for 4 years! I’m so grateful to Music Theatre West for producing it!

The show is absolutely genius. I just love David Yazbek’s music and lyrics. And the story is very thoughtful as well. It deals with men not able to be men in their lives (being unemployed makes it kind of hard to bring the bread home) and finding courage to do something that not many people do…strip. It also shows people dealing with relationships and how those are built/maintained. More than anything, I absolutely loved that part of it. It’s really summed up in the song “You Rule My World (Reprise)” where Dave’s wife, Georgie (Tammi Tappan Damiano, another fabulous performer from the SoCal) and Harold’s wife, Vikki (Tracy Lore) reveal their deep love for their husbands despite the adversity (Georgie just found out that Dave is stripping and not cheating and Vikki found out that Harold’s been unemployed for 6 months and hiding it by buying expensive things).

John Bisom played Jerry Lukowski perfectly. It was especially funny to me when Dave (John Massey Jr.) called him Fabio in the song “Man” because Bisom played the Fabio character in “The Thing About Men” a couple of years ago at MTW.

John Massey Jr. is absolutely hilarious as fat b@$t@rd Dave Bukatinsky who has to deal with his obesity. And seeing the show, I never realized that while Harold (David Engel) is singing “You Rule My World” to his wife, Dave is singing it to his stomach! Kind of kills just listening to the song for me now, but that’s because I’m weird and perverted. No not like that. Jeez you guys are sick.

David Engel continues to amaze me with his versatility as an actor/performer. He’s literally the greatest thing to come out of Southern California since…I don’t know, happy cows.

So it’s not like you can see it now (I saw the last show), but I highly recommend seeing this show if you get the chance. I give an R-rating strictly for the foul language (more than 1 F-bomb means R) because the nudity isn’t really that bad. You see lots of butt and guys strutting around in thong’s, but beyond that at the very end of the show (where they go all the way) there’s really bright lights behind them eclipsing anything revealing, so unless you truly mind seeing a guy’s butt, this show is for anyone who’s ever had trouble with a relationship.

The Atomic Gig

To tell this story properly, you have to go back about a month to when the Atomic Teams first got word of this gig.

The first details we receive was that it was a big event and they wanted 10 five-minute numbers, but we talked them into the 6 polished numbers we could produce in a month. So the only caveat was we would have to get the bands’ charts and find music to do our routines to (we’ve kind of pigeon-holed ourselves with really great choreography set to specific music that isn’t done by a lot of live bands anymore).

Over the next month, more and more information filters in that just makes this gig appear more and more difficult. We end up practicing for the eventuality that all the routines end with extra music, so we have to social dance, feel the rhythm and find the end of the song so we know when to dip. Not too difficult, but it’s just a little worrisome. Eventually we get all the routines polished up and do 3 “practice” performances at Atomic Ballroom (Tuesday, Friday and Saturday of last week) that work out pretty nicely.

So then today comes. We decide to shift our rehearsal from Atomic to Disneyland. Oh! Didn’t I mention? The event took place in the Grand Ballroom of the Disneyland Hotel. Very swank place. So we all meet up at the hotel and find ourselves (through various connections) able to utilize the dance floor that we’ll be performing on to practice. So we work on making sure the choreography is solid and various solos as well as a cue-to-cue run so we know exactly what goes on. We do this for about 3 hours. By this time, everybody’s ready for a little break, but the band looks like they’re about to start up and we REALLY need to rehearse with the band to make sure everything goes off without a hitch. So we finagle a half-hour hiatus and rush off to grab food. We scarf our food down and rush back to the ballroom, only to find that the band is now
working with the Rat Pack group that is the main attraction of the show. That’s right, we’re only the sideshow. But whatever. So we watch the Rat Pack group work with the band. They had Frankie (didn’t look very much like him, but sounded like him), Dean (looked and sounded like him pretty good) and Sammy (who looked and sounded VERY CLOSE to the real thing….very cool) and they were absolutely hilarious to watch. Meanwhile we were waiting around (something we’d gotten used to at this point) and occasionally free dancing around to the band’s music as the Rat Pack rehearsed.

After about an hour or two of that, we decide to get all our stuff out of the ballroom and into the green room…which turns out to be the adjacent ballroom. At this point, it’s silly to consider leaving to try to do anything (we really need to work with the band) so we decide to get dressed for the event. As it turns out, we never get to practice with the band. So now we’re really nervous about our job. Our job is to social dance at the very beginning of the event (6:40-7:00 pm) to add energy to the room as people are coming in and then to perform at the very end of the band’s set (around 10 pm).

So the first part goes off nicely and is lots of fun. Then we go backstage and wait some more. Pizza was delivered for the band and we are able to enjoy some of it. Then we wait. Suddenly the fire alarm goes off…all across the hotel. So we start packing up our stuff, but we quickly learn it’s a false alarm so we go check out the damage to the ballroom…because all the tuxedos and fancy dressed people evacuated the ballroom…in the middle of dinner. So the waiters are running around putting metal trays over the food to keep it warm and people are outside smoking (cigarettes) and it’s just hilarious. So then everybody gets back in and the show picks back up. Then we get the news that the band’s music fell down and they’re scrambling to get everything back in order (it’s an 18-piece band with like 100 songs or so…that’s a lot of sheet music to pick up and
collate). The point is, it’s doubtful that they would be able to play the songs we requested for our routines….which is actually good news considering we didn’t get to rehearse with the band. So we’re waiting backstage again. At this point we start taking pictures since we’re all dressed up with no place to go. The pictures turned out really well…judge
for yourself
!

So now we find out that we’re most likely not going to perform (if we are, it will only be a few numbers) and that we’ll just encourage people to social dance at the very end of the event (around 10:30 pm). So even though it’s a disappointment not to do our whole performance, we’ve gotten some great publicity out there about the Atomic Teams based just on the pre-show entertainment bit we did (which we also filmed, adding to our small but growing collection of possible reel footage). Also, having this big deadline really got our butts in gear with polishing these numbers into a highly performable form.

Then we start playing games. We start with one called Winkin’. The game requires one more boy than girls (it’s one of those flirty middle school games). The girls sit in a
ring of chairs with one guy behind each chair with one guy standing behind an extra chair. This guy needs someone in his chair. So he winks at a girl and she has to get off her chair and onto his chair. Trouble is the guy standing behind her can grab her (by the shoulders only technically, although there were some very creative clothing grabs utilized) and keep her from leaving. Because if you lose your girl, you have to wink at someone else’s girl. And the game is really fun played backwards (guys sitting, girls standing), because the guys ended up being a little bit stronger than the girls, so they would end up dragging their girl across the floor.

We finished with an electronic version Catchphrase where you sit in a circle and every other person is your teammate and you pass around the ticking clock slash trivia machine and you have to describe the catchphrase and hope your teammates can guess what the heck they’re talking about. Lots of fun. Lots of laughs.

So now it’s time to go out and lead the social dancing….which only lasts for half and hour. But we get some of the rich big-wigs out there! So then that’s it. We head back to the green room, back up our stuff and leave. It was kind of sad to leave because the whole experience was like a musical in a bottle. You spend all this time rehearsing and
building towards this final show and then the show’s over and you just get to revel in the memories. EXCEPT IT ALL TOOK PLACE IN ONE DAY! Just crazy bunch
of fun that I’ll never forget.

Going over!