I can’t explain it…this movie was not among my top movies priorities (hell it didn’t even make the top 20), and yet it was thoroughly enjoyable. The comedy, the animation, the story…it was all spot on. They basically take the concept of the “scary house up on the hill” and take it a step further by making the house not just the residence of some scary old man, but a possessed house that will eat you if you disturb it. With a wonderfully talented cast of voice actors, the movie is a lot of fun and very enjoyable. About the only disparaging remark I can come up with against it is that the camera (it’s CGI so can I still call it that?) was way too jerky in the opening sequence/first half an hour (bouncing up and down and around so much I nearly got seasick)…I mean I was in the front row of the theatre leaning back in my chair almost horizontally and that didn’t ruin the film. Featuring the voice talents of Steve Buscemi, Maggie Gyllenhall, Jason Lee (YAY!), Kevin James, Catherine O’Hara, Fred Willard and Jon Heder, this movie is a must see family film.
Monthly Archives: July 2006
My Super Ex-Girlfriend
This movie was a lot of fun…more fun than the reviewers are giving it credit for. Heck I was 20 minutes late and I loved it. But then again, with a great concept in “good hands” you can be as late as you like and still have a good time. Maybe it’s just the fact that I love comic books that makes this movie enjoyable…no that can’t be it. The basic movie structure? It’s like a PG-13 Wedding Crashers…one of those comedic romance flicks that tell a great story. I mean the concept alone is priceless: what happens when a superhero wants to fall in love? As a comic book fan I’m glad that they’re mainstreaming this issue…although Spiderman might have done the same thing (it is remarkably mainstream for a superhero film). What issue you ask? The issue of superheroes falling in love while maintaining a secret identity. How quickly do you initiate someone to the fact that you’re a superhero? How do you know you won’t break up with them bitterly and they will use your secret against you? I guess I just love the Spiderman 2 premise with a purely comedy shell. This movie is a must see! Oh wait, it’s falling out of theatre faster than a meteor…never mind.
A Scanner Darkly
This was a very intriguing film to watch. I love Phillip K. Dick stories and I fell in love with the cell-shaded actor’s not from seeing director Richard Linklater’s previous exploit, but from the trailer. The reason it was so intriguing was because I was kind of tired and didn’t really know what to expect and I kept getting vague about which characters were who and to top it all off it’s a movie about drug addiction, so that doesn’t help at all. Now I’m choosing not to comment on the plot/story until I read Dick’s original story because this was very obviously a story that was close to his heart because the very end of the movie (aside from not resolving the main storyline in my opinion) is either the author’s foreword or epilogue where Dick lists his close friends who are now paralyzed or dead because of drug addiction. The movie has some funny (in my opinion) moments, but the overall movie is more dramatic and very well done.
The movie takes place in Anaheim 7 years from now, which was kind of trippy for me…not because it was weird to see places I recognized (the painted tiles on the 5 freeway through Santa Ana and the Santa Ana water tower), but because I was seeing them through a cell-shaded lens which just made the recognition all the more poignant…I can’t explain it, can someone else?
Another thing I felt in this movie (this only applies to me personally and happened in a very minor moment), which I felt in Clerks 2 as well is how not grown up I am. Bob Arctor (Keanu Reeves), (Robert Downey Jr.) and Ernie Lugman (Woody Harrelson) have their car break down on the freeway and they pop open the hood and are able to figure out what was wrong. How the hell do you learn that?
The movie is listed as being 1 hour and 40 minutes, but my 3:50 pm start time got out at 4:35 pm…that’s only an hour and 35 minutes if you throw in at least 10 minutes for trailers and commercials. Another confusing aspect of this movie.
Clerks 2
This is the greatest movie Kevin Smith has made since…the next one. Every time I watch one of his films, it really brings home a point I love to extol: director’s who write their own material create “good” movies. Now when I say good, I don’t necessarily mean movies that everyone loves, but films that tell a particular story or that make a particular point or a particular commentary about life. Also, every single one of his movies has touched me in some way…except for Jay and Silent Bob Strike Back…that movie was basically Kevin Smith’s love letter to his dedicated fans. As much as Kevin Smith likes to talk trash and say that he’s just writing dick and fart joke movies, he really does reach out to us. That’s why I’m a bit upset with one thing in his list of tributes at the end of the movie, “Jersey Girl: for taking it up the ass.” The movie was really good, but everybody didn’t like it because it wasn’t the kind of movie he’s been giving us all his career. And yeah, he says he only had one PG-13 movie in him, but I’d bet you he could make another one if he wanted to. He writes comic books that aren’t R-rated, so he’s perfectly capable of writing clean dialogue. I am an optimist and like to think that individual artists have more artistic integrity than “Hollywood”, which is why I decry the theory everyone espouses regarding Jersey Girl, that because it didn’t do well financially so he went back to doing the dick and fart joke movies.
I liked the little nod to Jason Mewes’ past drug addiction in Jay’s character: Jay is still a drug dealer, but he just got out of rehab and doesn’t need drugs because he found Jesus and has a copy of the bible. “It’s the Holy Bible, you fuck!” Jason Mewes had this huge battle with drug addiction that you can read all about on Kevin Smith’s blog, My Boring Ass Life.
I LOVE Kevin Smith’s cultural diatribes…I mean nothing can beat the Clerks discussion about the private contractors on the 2nd Death Star, but they come pretty close with their discussion on Star Wars versus Lord of the Rings and how much Transformers suck.
Elias is a hilarious character because he’s so very real…a lot of Christians struggle with people who badger them about the little things.
Was it just me (I think it was), or did Jay look like the Venus di Milo when he did the nude pose? Yes he has arms, but in the composition of the shot, the arms are hidden by Silent Bob’s jacket.
Pirates of the Caribbean: Dead Man’s Chest
Where is the line between Bill Nighy’s live performance and the CGI effects? That was one of the most incredible things I’ve ever seen…reminded me of the whole debate that went into the foam suit for Ben Grimm (The Thing) in Fantastic Four…live versus animated. Those had to be his eyes and I think maybe his cheeks (with makeup)…but those tentacles…maybe half were animatronics (the ones that flop about or puff steam) and half CG…absolutely incredible.
As the credits roll (9 minutes total…seems kind of tame for a film with such gorgeous CG), I scream at the screen when they say “Soundtrack available on Walt Disney Records”…the soundtrack doesn’t come out until July 27th…bastards! I mean…that’s what everyone told me Leave it to me to never do independent research…it’s available now…damn it!
I love the new Walt Disney Pictures logo…but why now? Celebrating the 50th? That was the only logic people could suggest to me. The logo is all about the castle, and the first castle is celebrating it’s 50th…and of course with that I do a little business query and go: what does John Lasseter (as the new creative king of Disney) have to say about all this? Did he have anything to do with it at all as this was all set up by the previous regime?
God bless Terry Rossio and Ted Elliot…they have a masterful story here and they weave so many mythological concepts together while keeping it plausible and well explained. Although Tia Dalma’s (Naomi Harris) incredible accent was a little difficult to follow at times and they gave her a lot of the exposition…if ever there was a time for subtitles.
How do the changes to the ride affect what is going on with the story? Jerry Bruckheimer denied Disney the right to change the Wicked Wench to the Black Pearl…clue or non-sequitur? Barbossa is the captain of the Wicked Wench and he is searching for Jack Sparrow…is he searching for Jack in the context of the first film or in the context of the second and third? Why search in the context of the first film AND weave Davy Jones into the introduction of the ride?